The Supermodel Astronaut
Challenge: traversing frames
of mind
Leanne Glasser, Emily Young and Pauline Sameshima
Department of Education, Lakehead University, Thunder Bay, Canada
Abstract
Purpose – The Supermodel Astronaut (SMA) Challenge began with a group of women in a graduate class
who joined together to take the pledge “I Am Enough.” The goals of the pledge are to practice positive
affirmative actions of self-acceptance, self-grace, self-improvement and positive encouragement of oneself and
others. The paper aims to discuss this issue.
Design/methodology/approach – The SMA Challenge involves an online video pledge to encourage
women and girls to demonstrate their opposition to the promotion of singular ideals of body perpetuated
through media. Various individuals and groups have created music videos titled SMA to the soundtrack
created by Ellen Tift (the originator of the project).
Findings – Here, framed by Daignault’s (1983) theories on curriculum construction, the authors critically
reflect on their support of the idea of the video, but also their apprehension and insecurities in participating in
the video production.
Originality/value – From reflections, writings and dialogic discussions, they determined five embodied
frames of mind that supported them in traversing the liminal space of new learning: imagining the possible,
learning in doing, settling in vulnerability, journeying through empowerment and heightening self-reflection.
Keywords Feminism, Qualitative research, Education, Arts education
Paper type Research paper
Introduction
What started as a group of women in an education graduate course exploring the difficulties
in creating a lip sync video to the song “Supermodel Astronaut” (SMA) (written and
composed by Ellen Tift, 2014) evolved into a broader learning opportunity to explore the
impact of embodied education through the SMA Challenge project. Through the team’s
collaborative inquiry, they discovered that despite coming from varying backgrounds, they
felt similar insecurities. The video is located here: https://youtu.be/tlUx-qtGLJk
The name “Supermodel Astronaut” (SMA) in itself is an ironic moniker for a women’s
movement. While “Supermodel” connotes idealistic conformity with an image and role and
“astronaut” implies a far-reaching goal, the challenge reminds women that power and
beauty are within.
The project began as an arts-integrating, creativity-generating challenge in an education
graduate course while studying arts-informed inquiry (Cole and Knowles, 2001) and
arts-based research (Barone and Eisner, 2012). As outwardly competent and educated women
in a graduate program, the team was surprised after many group discussions and debriefings
at how insecure and vulnerable each member felt about being involved in making a video that
was to go online. As teachers, the group decided to document and analyze their experiences,
and then attempt to distill any ideas and hypotheses relevant to curriculum development. The
teachers’ findings suggest that transformative learning spaces require creative tools for
moving from the known to the unknown. The team found creative tools for traversing
between the liminal spaces of fear and learning (Daignault, 1983) that were grouped into five
categories: imagining the possible, learning in doing, settling in vulnerability, journeying
through empowerment and heightening self-reflection. Daignault encourages learners to
articulate the learning passage, to perform “knowledge through a passageway” by thinking
aloud (1983, pp. 7-13).
Qualitative Research Journal
Vol. 19 No. 4, 2019
pp. 415-425
© Emerald Publishing Limited
1443-9883
DOI 10.1108/QRJ-02-2019-0023
Received 24 February 2019
Accepted 6 June 2019
The current issue and full text archive of this journal is available on Emerald Insight at:
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The SMA
Challenge