International Journal of Multidisciplinary Research and Publications ISSN (Online): 2581-6187 113 Saddam L. Pacio, Haipa Abdurahim-Salain, Ed.D., and Sherfa A. Salain, “The Colors of Tradition: Discovering the Cultural Significance of Yakan Tennun in Basilan Province, Philippines,” International Journal of Multidisciplinary Research and Publications (IJMRAP), Volume 5, Issue 11, pp. 113-116, 2023. The Colors of Tradition: Discovering the Cultural Significance of Yakan Tennun in Basilan Province, Philippines Saddam L. Pacio 1 , Haipa Abdurahim-Salain, Ed.D. 2 , Sherfa A. Salain 3 1, 2, 3 Basilan State College, Isabela City, Basilan, Philippines, 7300 Email address: saddamlisalpacio@gmail.com Abstract— This study explores the cultural significance of Yakan weaving in Basilan, particularly the traditional practice of Tennun. Using a qualitative approach, the study aimed to understand the cultural and historical contexts of the weaving tradition, the process of creating Tennun, and its importance to the Yakan community. A total of 10 Yakan weavers were interviewed, and their responses were analyzed using thematic analysis. The findings of the study revealed that Tennun is an integral part of the Yakan culture, and the tradition has been passed down from generation to generation. The Yakan weaving tradition serves as a way of preserving the Yakan identity and heritage. The study also found that the Tennun process involves various stages, including yarn preparation, dyeing, and weaving. The colors and designs used in tennun have specific meanings and significance, such as representing social status and personal beliefs. The study highlights the importance of preserving the Yakan weaving tradition, not only for cultural and historical reasons but also for its economic potential. The findings suggest that the promotion of the Yakan weaving tradition can contribute to the development of the Philippine textile industry, particularly in the production of traditional textiles. In conclusion, the study underscores the importance of understanding and preserving the cultural heritage of indigenous communities in the Philippines and provides insights for policymakers and stakeholders in promoting cultural tourism and economic development. Keywords— Yakan, Basilan, weaving, Tennun, cultural significance, traditional textiles, heritage preservation, qualitative study, thematic analysis. I. INTRODUCTION Weaving is an important cultural practice in many indigenous communities in the Philippines. Among these communities are the Yakan people of Basilan, who have been renowned for their intricate and colorful weaving techniques, known as Tennun. The Tennun tradition has been passed down through generations and has become an integral part of Yakan culture and identity. The Provincial Government of Basilan celebrate its foundation anniversary every month of March and it is known as Tennun Pakaradjaan. While the beauty and complexity of Yakan weaving have been recognized by many, little is known about the cultural significance of Yakan Tennun and how it has evolved over time. Thus, this study aims to explore the cultural significance of Yakan Tennun in Basilan, shedding light on the unique traditions, techniques, and meanings that underlie this fascinating craft. Several studies have been conducted on the topic of Yakan weaving and its cultural significance. For instance, Abas, Binaden, and Mandangan (2017) explored the different types of looms and fibers used in Yakan weaving, and how these techniques have been passed down through generations. Their study found that Yakan weaving is a complex and time-consuming process, requiring a high level of skill and creativity. They also found that the use of natural dyes is an essential aspect of the Yakan weaving tradition, adding depth and richness to the colors used in the textiles. Meanwhile, Jikiri (2019) conducted an ethnographic study of Yakan weaving in Basilan, exploring the social and cultural significance of the craft. The study found that Yakan weaving is not only a form of artistic expression but also a way to preserve and transmit cultural knowledge and identity. She observed that Tennun is a deeply gendered practice, with women being the primary weavers and the custodians of Yakan weaving knowledge. Furthermore, Jikiri noted that the Tennun tradition has been challenged by the changing social and economic conditions in Basilan, such as the displacement caused by armed conflict and the influx of machine-made textiles. Other studies have examined the economic and social impact of Yakan weaving. For instance, Tandiono, Alwi, and Muhlisin (2018) conducted a study on the economic value of Yakan weaving in Basilan, and found that the craft is an important source of income for many Yakan women. They also found that Yakan weaving has the potential to contribute to sustainable development and poverty reduction in the region. Meanwhile, Ahmat, Sapan, and Palacat (2019) studied the role of Yakan weaving in empowering women in Basilan and found that the craft provides a source of economic empowerment, as well as a platform for women's voices and participation in decision-making. However, despite these studies, there is still much to be learned about the cultural significance of Yakan Tennun. This study aims to fill this gap in the literature by exploring the history, techniques, and meanings of Yakan weaving and how it has contributed to the cultural identity and resilience of the Yakan people in Basilan. Specifically, this study will examine the role of Tennun in the transmission of cultural knowledge, the ways in which Yakan weavers use color and design to express cultural meanings and values, and the challenges and opportunities facing the Tennun tradition in the present context. This study on the cultural significance of Yakan Tennun in Basilan is an important contribution to the literature on indigenous weaving techniques in the Philippines. Through an exploration of the unique traditions, techniques, and meanings