Interactive and Transmedia
Documentary: Production, Interface,
Content and Representation
Jorge Vázquez-Herrero and Arnau Gifreu-Castells
Abstract In recent years the way we produce new media has changed dramatically.
Interactive nonfiction narratives have transformed the processes of producing, dis-
tributing and showing documentaries, and especially the processes involved in how
the viewer relates to the text. One of these new media forms of narrative expres-
sion is “interactive documentary”. In this work, first, we explore the evolution of
the documentary genre as an expression form, then we analyse the current state of
development of the interactive documentary. Second, we analyse five representa-
tive projects from different critical perspectives: production, interface, content and
modalities of representation. Finally, we outline a set of issues that emerged from
the analysis performed that need to be resolved.
Keywords Interactive documentary · Transmedia documentary · Webdoc
Comparative analysis · Nonfiction · Digital storytelling
1 Introduction
As a new media object, interactive documentary challenges traditional methods of
study and dissemination. Textual analysis, which has been a key method of docu-
mentary research since the 1970s, becomes difficult when there are several potential
ways of relating to the documentary text. This new phenomenon needs to be studied
from global, multidimensional and complementary perspectives, taking into account,
for example, aesthetics, economics, sociology, technology, etc.
This work analyses a series of interactive documentary projects developed dur-
ing the representative period of 2010 to 2014 from different perspectives. Projects
J. Vázquez-Herrero (B )
Faculty of Communication Sciences, Universidade de Santiago de Compostela, A Coruña, Spain
e-mail: jorge.vazquez@usc.es
A. Gifreu-Castells
ERAM - University of Girona, Salt, Spain
e-mail: arnau.gifreu@eram.cat
© Springer International Publishing AG 2019
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