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FFC 11 (2) pp. 155–168 Intellect Limited 2022
Film, Fashion & Consumption
Volume 11 Number 2
www.intellectbooks.com 155
© 2022 Intellect Ltd Article. English language. https://doi.org/10.1386/ffc_00045_1
Received 23 March 2022; Accepted 15 May 2022
REBECCA BAUMAN
Fashion Institute of Technology, SUNY
‘Now you are one of us’:
Mafia fashion on-screen
ABSTRACT
This article examines the role popular media have played in disseminating images
of mafia fashion. Through the representation of criminal apparel on-screen specta-
tors are encouraged to identify with the societal transgressions of the mafioso,
engendering an abiding fascination with mafia style. By looking at Italian and
Italian American productions from early silent cinema through contemporary tele-
vision crime series, menswear becomes a primary means of harnessing spectatorial
desire and identification that embraces enduring associations that link southern
Italian identity with criminality and style. In the analysis of these texts it becomes
apparent how costuming communicates a series of semiotic properties that reflect
the complex interplay of masculine identities in an environment based on violence,
power and appearance.
INTRODUCTION
In Alberto Lattuada’s 1962 film Mafioso, the protagonist Nino is initiated into
Cosa Nostra in a distinctly sartorial way. The local mafia chieftain’s right-hand
man, Don Liborio, invites Nino to stop at an open-air carnival with the invita-
tion, ‘I’ll buy you a cap’. Nino selects a coppola, the short-brimmed hat tradi-
tionally associated with male peasant apparel in Sicily. As he positions the hat
on his head, Don Liborio approvingly muses, ‘now you are one of us’. The naïve
Nino interprets the cap as a symbol of cultural belonging and masculine friend-
ship. However, as the narrative soon reveals, the mere donning of the coppola
signifies Nino’s unwitting and irreversible descent into organized crime.
KEYWORDS
dress
masculinity
organized crime
cinema
Italian ethnicity
mafia movies
film costume
gangsters