To Have and to Hold: The Possessive Spectator, the Spinster Narrative, and Katharine Hepburn in David Lean's Summertime (1955) Alison L. Mckee Journal of Film and Video, Volume 73, Number 2, Summer 2021, pp. 26-45 (Article) Published by University of Illinois Press For additional information about this article For content related to this article https://muse.jhu.edu/article/795014 https://muse.jhu.edu/related_content?type=article&id=795014