IEEE/ACM TRANSACTIONS ON AUDIO, SPEECH, AND LANGUAGE PROCESSING, VOL. 25, NO. 5, MAY2017 1117
Improved Referencing Schemes for 2.5D Wave Field
Synthesis Driving Functions
Gergely Firtha, P´ eter Fiala, Frank Schultz, and Sascha Spors, Member, IEEE
Abstract—Wave Field Synthesis allows the reconstruction of an
arbitrary target sound field within a listening area by using a sec-
ondary source contour of spherical monopoles. While phase cor-
rect synthesis is ensured over the whole listening area, amplitude
deviations are present besides a predefined reference curve. So far,
the existence and potential shapes of this reference curve was not
extensively discussed in the Wave Field Synthesis literature. This
paper introduces improved driving functions for 2.5D Wave Field
Synthesis. The novel driving functions allow for the control of the
locations of amplitude correct synthesis for arbitrarily shaped—
possibly curved—secondary source distributions. This is achieved
by deriving an expressive physical interpretation of the stationary
phase approximation leading to the presented unified Wave Field
Synthesis framework. The improved solutions are better suited for
practical applications. Additionally, a consistent classification of
existing implicit and explicit 2.5D sound field synthesis solutions as
special cases of the unified framework is given.
Index Terms—Local wavenumber vector, stationary phase ap-
proximation, wave field synthesis, 2.5D WFS.
I. INTRODUCTION
W
AVE Field Synthesis (WFS) [1]–[4] is a well established
sound field synthesis (SFS) technique for the reproduc-
tion of an arbitrary target sound field over a listening area.
Synthesis is performed using a loudspeaker array, termed as the
secondary source distribution (SSD). The objective of WFS is
to find the appropriate input signals for the SSD—termed as the
driving functions—so that the resultant sound field coincides
with the target sound field at each point of the listening area.
WFS originates from the boundary integral representation of
the target sound field [5]–[7] in a synthesis domain bounded by
a smooth SSD surface. The Kirchhoff–Helmholtz integral rep-
resentation of the target field implicitly contains the appropriate
WFS driving functions. However, 3D surface SSDs are imprac-
tical to implement, and 2D SSD contours are realized instead.
This dimensionality reduction has two important consequences.
Manuscript received August 1, 2016; revised January 14, 2017 and March
20, 2017; accepted March 26, 2017. Date of publication March 29, 2017; date
of current version April 24, 2017. The associate editor coordinating the review
of this manuscript and approving it for publication was Prof. Augusto Sarti.
(Corresponding author: Gergely Firtha.)
G. Firtha and P. Fiala are with the Department of Networked Systems and
Services, Budapest University of Technology and Economics, Budapest 1117,
Hungary (e-mail: firtha@hit.bme.hu; fiala@hit.bme.hu).
F. Schultz is with the Audio Communication Group, Technische Universit¨ at
Berlin, Berlin 10623, Germany (e-mail: franks.schultz@tu-berlin.de).
S. Spors is with the Institute of Communications Engineering, Universit¨ at
Rostock, Rostock 18119, Germany (e-mail: sascha.spors@uni-rostock.de).
Color versions of one or more of the figures in this paper are available online
at http://ieeexplore.ieee.org.
Digital Object Identifier 10.1109/TASLP.2017.2689245
Phase correct synthesis is restricted to a 2D synthesis plane
bounded by the SSD contour, and the synthesized field cannot
be amplitude correct in the whole synthesis area, only at specific
reference locations.
This article focuses on WFS referencing, i.e., the analysis and
control of positions where the synthesized field is amplitude
correct.
During the last three decades two main WFS methodologies
have been developed, commonly referred to as traditional WFS
and revisited WFS. The two approaches mainly differ in the way
of the dimensionality reduction and have different referencing
limitations.
Traditional WFS aims to synthesize a virtual point source us-
ing a 2D linear contour of secondary point sources. The method
applies the 3D Rayleigh integral to the virtual point source
field [8]–[11], and dimensionality reduction is performed by
means of the stationary phase approximation (SPA) of rapidly
oscillating integrals. The resulting so-called 2.5D Neumann
Rayleigh integral [3] contains the appropriate driving functions.
Note that the very initial derivation [1], [2] led to the 2.5D
Dirichlet Rayleigh integral using a SSD containing secondary
dipole sources, instead of spherical monopoles.
Revisited WFS [12]–[14] can be used to synthesize a 2D vir-
tual sound field with a 2D contour of secondary point sources.
This approach stems from the 2D Neumann Rayleigh integral
that assumes 2D secondary line sources. In order to obtain driv-
ing functions for secondary point sources instead of line sources,
the SPA is applied to the 2D Rayleigh integral. As 3D virtual
fields are not unambiguously given on the SSD contour, revisited
WFS theory is unable to synthesize 3D virtual fields.
Theoretically, both WFS approaches are able to reconstruct
the phase—i.e. the wavefront shape—of the virtual sound field
over the listening area. However, due to different formulations
of the dimensionality reduction, the approaches exhibit differ-
ent amplitude deviations. The traditional WFS theory references
the amplitude of the virtual point source typically to a reference
line parallel to the SSD. The revisited WFS theory optimizes
amplitude correct synthesis in a single reference point in the syn-
thesis domain. This, as a side effect, results in amplitude correct
synthesis along a reference curve which depends on the virtual
source field. The exact positions of amplitude correct synthesis
(PCS) in the revisited WFS theory have not been investigated in
detail so far.
In the present treatise we derive a unified WFS framework al-
lowing the synthesis of arbitrary 2D and 3D virtual sound fields
using a 2D SSD contour of point sources. The unified frame-
work allows to optimize amplitude correct synthesis to an arbi-
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