Please cite this article in press as: H. Szczepanowska, R. Ploeger, The chemical analysis of Southeast Asian lacquers collected from forests
and workshops in Vietnam, Cambodia, and Myanmar, Journal of Cultural Heritage (2019), https://doi.org/10.1016/j.culher.2019.05.015
ARTICLE IN PRESS
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CULHER-3610; No. of Pages 11
Journal of Cultural Heritage xxx (2019) xxx–xxx
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The chemical analysis of Southeast Asian lacquers collected from
forests and workshops in Vietnam, Cambodia, and Myanmar
Hanna Szczepanowska
a,∗
, Rebecca Ploeger
b
a
West Virginia University, School of Art and Design, 26506 Morgantown, WV, USA
b
The Patricia H. and Richard E. Garman Art Conservation Department, SUNY Buffalo State, Buffalo, NY, USA
a r t i c l e i n f o
Article history:
Received 11 February 2019
Accepted 22 May 2019
Available online xxx
Keywords:
Thitsi
Laccol
Southeast Asian lacquer
a b s t r a c t
For centuries lacquer has been used for utilitarian, decorative, and ceremonial objects throughout
Southeast Asia. In this work, the current harvesting methods and workshop uses of lacquer in Viet-
nam, Cambodia, and Myanmar are documented. It combines and links observations from known forest
and workshop provenances, and analytical characterization results of the lacquers using Fourier trans-
form infrared spectroscopy (FTIR), pyrolysis–gas chromatography–mass spectrometry (Py-GC-MS), and
scanning electron microscopy–energy dispersive X-ray spectroscopy (SEM-EDS). Lacquers from three
different tree species were identified, including laccol from Toxicodendron succedanea in Vietnam, and
thitsiol from Gluta usitata (Myanmar) and Gluta laccifera (Cambodia). As well, several organic and inor-
ganic additives were characterized. The aim of this work is to contribute to the knowledge of regional
differences in lacquer sourcing and working methods in Southeast Asia.
© 2019 Published by Elsevier Masson SAS.
1. Introduction
Lacquer, the natural latex produced by some indigenous trees of
the Anacardiaceae family in Asia, has been used for centuries as a
utilitarian material, as well as for decorative vessels, lacquer paint-
ings, and surface finishes on religious statues (Fig. 1). The everyday
use of lacquer was mainly as a waterproofing material, primarily
for boats, paper and cloth for umbrellas [1], and as a surface fin-
ish for large plaited baskets used to carry the goods to and from
the market. All forms of lacquer applications, for utilitarian and
ceremonial uses [2,3], are currently practiced today, as observed
during recent fieldwork. Many of the current lacquer techniques
and production are well described by Isaacs and Blurton [3]. How-
ever, lacquer harvesting is declining in general in Southeast Asia, as
consistently expressed by all practitioners interviewed during the
years of fieldwork in Vietnam, Myanmar and Cambodia (from 2015
to 2019). Similar remarks and observations were expressed dur-
ing the 2015 Bangkok conference on lacquer [4], and reiterated by
lacquer practitioners, artists and educators during the 2017 Asian
Lacquer Craft Exchange Program in Myanmar meeting in Bagan,
Myanmar [5].
∗
Corresponding author.
E-mail address: hannams2013@gmail.com (H. Szczepanowska).
Fig. 1. Examples of contemporary lacquerware pieces from Bagan, Myanmar (per-
sonal collection). Only one vessel, in the far left, follows the Myanmar tradition in
form and decoration of hsun-ok [6]. The gilded small containers and simple black
and red one resemble more of a recently adopted Japanese style (photo credit: H.
Szczepanowska, 2017).
The aim of this work is to contribute to the current knowledge of
lacquer in its regional context in three surveyed countries: Cambo-
dia, Vietnam and Myanmar. The chemical markers of these lacquers
were studied to help distinguish the raw materials with respect
to their provenance, and to determine if lacquer samples could
be traced back to their original geographical source, tree species,
https://doi.org/10.1016/j.culher.2019.05.015
1296-2074/© 2019 Published by Elsevier Masson SAS.