ISSN: 2455-2631 June 2024 IJSDR | Volume 9 Issue 6 IJSDR2406146 www.ijsdr.org nternational Journal of Scientific Development and Research (IJSDR) I 1251 Exploring Narrative and Self in Geetanjali Shree's "Tomb of Sand" Tulika Nagesh Faculty Department of English Rani DurgavatiVishwavidyalaya, Jabalpur, M.P. Abstract: By closely examining Geetanjali Shree's "Tomb of Sand," this research paper aims to shed light on the intricate connections between narrative and self. Through an exploration of the protagonist's journey, the transformative power of narratives, the construction of personal narratives, and the fluidity of self and identity, this study seeks to deepen our understanding of the novel's themes and its larger implications for our understanding of human experiences. By engaging with the complexities of storytelling and the representation of selfhood, this analysis contributes to the existing scholarship on narrative and self while highlighting the literary achievements of Geetanjali Shree's notable work. Keywords: Narrative, self, selfhood, memory, partition, identity I. INTRODUCTION The concept of narrative and self refers to the way individuals construct and understand their personal identity and life experiences through storytelling and the creation of a cohesive narrative.Narrative can be understood as the framework through which people make sense of their lives. It involves organizing events, memories, and experiences into a meaningful sequence, often following a cause-and-effect structure. Narratives provide a sense of continuity, coherence, and purpose to one's life story. They allow individuals to interpret and give meaning to their past, present, and future, shaping their understanding of who they are. The self, on the other hand, is the individual's perception of their own identity and personality. It encompasses one's thoughts, emotions, beliefs, values, and behaviours, as well as their relationships with others and their social roles. The self is not a fixed entity but rather a complex and evolving construct influenced by various internal and external factors. The relationship between narrative and self lies in the idea that individuals use narratives to construct and maintain their sense of self. By creating a coherent and consistent narrative, people establish a personal identity and develop a sense of self-continuity over time. The narrative provides a framework for organizing and integrating various life events and experiences into a cohesive story, allowing individuals to understand themselves and communicate their identity to others.Time and memory play a crucial role in the formation of narrative. Merleau-Ponty, expressed that the “now” keeps varying as the perspectives and interests of the narrator and reader changes (Kerby). The idea of time can be understood as “Lived time, the time of our lives, is obviously not devoid of meaning. It is not a mere succession of neutral points, a formal grid transparent with respect to the content of experience” (Kerby). Furthermore, narratives can also shape and influence the self. The stories we tell ourselves and others about our experiences, achievements, challenges, and aspirations contribute to our self-perception and self-esteem. The narratives we construct may highlight certain aspects of our identity while downplaying or omitting others, thus shaping our self- concept. It is important to note that narratives and the self are not purely objective or fixed entities but rather subjective and malleable constructs influenced by personal interpretations, cultural contexts, and social interactions. Different individuals may construct different narratives about the same set of experiences, and narratives can evolve and change over time as new experiences and perspectives emerge. In this paper we shall locate the concept of narrative and self in the novel “Tomb of Sand” written by Booker Prize winner Geetanajali Shree. II. EXPLORING THE CONCEPT OF NARRATIVE AND SELF IN “THE TOMB OF SAND” Geetanjali Shree, born on June 1, 1957, is a renowned Indian author and novelist. She is known for her significant contributions to contemporary Hindi literature. Her works often delve into the themes of identity, gender and intersection of tradition and modernity. She made her literary debut with critically acclaimed novel “Maya Darpan” in 2001. Her other notable works include, “Humara Shahar Us Baras” (2002), “Tirohit” (2009), and “Kshan” (2011). She is the first Hindi writer to win the prestigious International Booker Prize award for her novel “Ret Smadhi” which was