Secular Painting in 15th-Century Tuscany: Birth Trays, Cassone Panels, and Portraits Author(s): John Pope-Hennessy and Keith Christiansen Source: The Metropolitan Museum of Art Bulletin , Summer, 1980, New Series, Vol. 38, No. 1, Secular Painting in 15th-Century Tuscany: Birth Trays, Cassone Panels, and Portraits (Summer, 1980), pp. 2-64 Published by: The Metropolitan Museum of Art Stable URL: https://www.jstor.org/stable/3258705 REFERENCES Linked references are available on JSTOR for this article: https://www.jstor.org/stable/3258705?seq=1&cid=pdf- reference#references_tab_contents You may need to log in to JSTOR to access the linked references. JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact support@jstor.org. Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at https://about.jstor.org/terms The Metropolitan Museum of Art is collaborating with JSTOR to digitize, preserve and extend access to The Metropolitan Museum of Art Bulletin This content downloaded from 198.168.106.100 on Wed, 21 Aug 2024 17:56:44 UTC All use subject to https://about.jstor.org/terms