DesignIssues: Volume 36, Number 3 Summer 2020
3
© 2020 Massachusetts Institute of Technology
Legal Design as a Thing:
A Theory of Change and
a Set of Methods to Craft a
Human-Centered Legal System
Margaret Hagan
Introduction
Human-centered design has been a dominant innovation method-
ology in service industries, from medicine to insurance to finance.
1
It has now come to the legal system, together with movements
related to legal technology, legal hacking, and access to justice
reform, as a collective legal design movement.
2
University labs, conferences, classes, and new job positions
are oriented around “legal design”—the marriage of a human-cen-
tered design approach to the challenges and structures of the legal
system.
3
This burgeoning community of people is interested in
using a design approach to improve the legal system.
4
In light of
this growth, the need arises for more rigor: rigor in how a design
process is applied, in how design research is conducted, and in
how the outcomes of this process and research are evaluated. Fur-
ther discussion is needed to ground this design work, which is
often creative, decentralized, and open, in an essential set of meth-
ods and instruments. These parameters can ensure honest reflec-
tion on how well the design approach can serve the legal system,
improve people’s access to justice, and promote innovation in this
professional community.
This special issue presents pieces from lawyers, designers,
technologists, scholars, and community organizers that detail what
legal design is in practice. The pieces demonstrate how the craft of
legal design is developing as one that combines a community-
oriented co-design ethos, with a commitment to navigating the
bureaucracies of the legal system to effect change, and with the
integration of empirical research to evaluate whether user-centered
design and policy proposals do, in fact, improve people’s outcomes.
Before readers dive into this collection of cases, this intro-
ductory piece gives some initial grounding. It offers an initial legal
design process, set of research methodologies and instruments,
and grounding in analogous fields and literature. It also offers
a wider theory of change—of how a design approach can feed into
https://doi.org/10.1162/desi_a_00600
1 Charles Owen, “Design Thinking: Notes
on Its Nature and Use,” Design Research
Quarterly 1, no. 2 (2006): 16–27; Tim
Brown, “Design Thinking,” Harvard
Business Review (June 2008): 85–92;
Charles Owen, “Design Thinking: Driving
Innovation,” BPM Strategies Magazine,
The Business Process Management
Institute, September 2006; and Richard
Buchanan, “Wicked Problems in Design
Thinking,” Design Issues 8, no. 2 (Spring
1992): 5–21. doi.org/10.2307/1511637.
2 Colette Brunschwig, “On Visual Law:
Visual Legal Communication Practices
and Their Scholarly Exploration,” in
Zeichen Und Zauber Des Rechts:
Festschrift Für Friedrich Lachmayer
[Signs and Magic of the Rights:
Commemorative for Friedrich Lachmayer]
eds. Erich Schweihofer et al. (Bern:
Editions Weblaw, 2014), 899–933;
Véronique Fraser and Jean-François
Roberge, “Legal Design Lawyering:
Rebooting Legal Business Model with
Design Thinking,” Pepperdine Dispute
Resolution Law Journal 16, no. 2008
(2016): 303–16; Jamie Young, A Virtual
Day in Court: Design Thinking and Virtual
Courts (London: RSA, 2011); Victor
Quintanilla, “Human-Centered Civil
Justice Design,” Penn State Law Review
121, no. 3 (2017): 745–806; and Mark
Szabo, “Design Thinking in Legal Practice
Management,” Design Management
Review 21, no. 3 (September 29, 2010):
44–6.
3 Margaret Hagan, “The State of Legal
Design: The Big Takeaways of the
Stanford Law + Design Summit,” Legal
Design and Innovation, September 25,
2017, https://medium.com/legal-design-
and-innovation/the-state-of-legal-design-
the-big-takeaways-of-the-stanford-law-
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