THIRD SPACE
“An Article That I Am Not in the Mood
to Write Anymore”
Motivations to Research about Popular Feminism
DEMET GÜLÇIÇEK
M
y friends have grown bored of me talking about conceptualizing some form of
popular feminism that I have been noticing “in the air” in Turkey. For many
feminist activists and scholars based in or engaged with Turkey, it seems confusing
to talk about “popular feminism” at a time of such active antigender and antifeminist
mainstream discourse. Thus each time I have shared this conceptualizing idea with
someone, I have had to explain my usage of the term. Despite growing antigender
mobilization, feminist ideas have become increasingly popular in some spaces in
Turkey, but we have not been able to analyze this beyond a discussion of whether that
popularity is good or bad. Once I explained this in detail, I was encouraged to “write
something” about it because the contradictions I problematized seemed intriguing
to many. Here I reflect on my failure to write about popular feminism, situating that
failure in relation to the political atmosphere in Turkey after the 2023 elections. I
do not aim to complain about contemporary political conditions (well, maybe just
a bit!) but rather to discuss how our relations with the world around us are linked
to our readiness to build research in a specific way. I suggest that sometimes a
researcher’s reluctance can produce new ways to ask questions. I am inspired by
feminist work encouraging us to unpack how we produce knowledge (Davis and
Evans 2011), and I turn to mood as a tool for it.
In my earlier work I analyzed political commitments as an affective lens that
sticks, proposing the concept of “mood of commitment” (Gülçiçek 2022). I now
want to reflect on a mood change from the uprising excitement to reluctance toward
my research focus on popular feminism in Turkey. “Mood” is often conceptualized as
JMEWS • Journal of Middle East Women’s Studies • 20:2 • July 2024
DOI 10.1215/15525864-11176482 • © 2024 by the Association for Middle East Women’s Studies
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