106 Scientific research of the SCO countries: synergy and integration International Conference DOI 10.34660/INF.2025.34.81.155 契诃夫短篇小说《带阁楼的房子》中的“非具身”诗学 POETICS OF “NON-EMBODIMENT” IN A. P. CHEKHOV’S STORY “THE HOUSE WITH THE MEZZANINE” Ivanova Elena Stanislavovna Candidate of Philological Sciences, Associate Professor Belarusian State University 摘要：本文致力于分析A.P.契诃夫小说《带阁楼的房子》中“非具象化”的诗学。 作品中的关键意象——庄园、阁楼、沃尔恰尼诺夫姐妹和无名艺术家——被认为 是契诃夫美学中不完整、逃避和根本性非现实性的体现。文章特别关注艺术空间 的象征意义：阁楼被解读为现实与想象之间的边界，反映了人物的情感状态。故事 中的一切都充满“幽灵”：未言明的爱情、被剥夺了心理完整性的人物，以及象征 着一个正在消逝的时代的房屋和庄园。本研究展现了契诃夫如何改造传统的庄园 时空体，并赋予其新的内容——幽灵般的诗学、未实现的可能性以及“消失”的现 实。 关键词：A.P.契诃夫、《带夹层的房子》、非具象化、时空体、庄园、象征主义、印 象派。 Abstact. The article is devoted to the analysis of the poetics of “non- embodiment” in A.P. Chekhov’s story “The House with a Mezzanine”. The key images of the work are considered – the estate, the mezzanine, the Volchaninov sisters and the unnamed artist – as the embodiment of Chekhov’s aesthetics of incompleteness, elusion and fundamental non-realization. Particular attention is paid to the symbolism of the artistic space: the mezzanine is interpreted as a border zone between the real and the imaginary, which reflects the emotional state of the characters. Everything in the story is “ghostly”: love that remains unspoken, characters deprived of psychological completeness, the house and the estate as a whole as a symbol of a fading era. The study demonstrates how Chekhov transforms the traditional estate chronotope, filling it with new content – the poetics of ghostliness, unrealized possibilities and “disappearing” reality. Keywords: A.P. Chekhov, “The House with a Mezzanine”, non-embodiment, chronotope, estate, symbolism, impressionism. “Missyuss, where are you?” – this question, thrown into the void, could become an epigraph to all of Chekhov’s work. The writer, who came to literature