SUBJECTIVE QUALITY ASSESSMENT OF SCALABLE VIDEO CODING: A SURVEY Jong-Seok Lee, Francesca De Simone, Touradj Ebrahimi Multimedia Signal Processing Group (MMSPG) Ecole Polytechnique F´ ed´ erale de Lausanne (EPFL) CH-1015 Lausanne, Switzerland {jong-seok.lee, francesca.desimone, touradj.ebrahimi}@epfl.ch ABSTRACT Scalable video coding is a promising solution for efficient video content distribution to users having heterogeneous net- work and terminal capabilities. Thanks to its inherent multi- dimensional adaptability, a scalable bit stream can be used to simultaneously transmit multiple video sequences having dif- ferent bit rates to corresponding target users, without neces- sity of re-encoding or transcoding. In order to exploit such an advantage effectively, it is crucial to understand the effects of multidimensional scalability options on the perceived quality and the trade-off between the scalability dimensions through subjective quality assessment. This paper reviews existing studies aiming at achieving this goal in order to summarize their results and common findings. Index TermsScalable video coding, subjective quality assessment, quality of experience 1. INTRODUCTION Nowadays, applications of video content delivery are very popular thanks to the advances of hardware and software tech- nologies for video production and processing. Usually, a con- tent, e.g. a video clip on a video sharing web site, is consumed by many users. This brings an important research issue: how to efficiently deliver video content to consumers having di- verse communication environments. Network resources (e.g. bandwidth) available for different users may be quite different and time-varying. In addition, the characteristics of users’ ter- minals may vary significantly in terms of display resolution, processing power, etc. Therefore, the same content needs to be delivered at the same time in different formats according to these variables. Scalable video coding is a useful concept that can deal with such difficulty in multimedia content delivery. A scal- The research leading to these results has received funding from the Euro- pean Communitys Seventh Framework Programme (FP7/2007-2011) under grant agreement no. 216444 (PetaMedia), the Swiss National Foundation for Scientific Research in the framework of the NCCR Interactive Multi- modal Information Management (IM2), and the COST Action IC1003 Euro- pean Network on Quality of Experience in Multimedia Systems and Services (Qualinet).               Fig. 1. Three-dimensional video scalability. able video bit stream is composed of various layers, which can be adapted to a given bit rate constraint through trunca- tion of parts of the bit stream. In general, the video scalability is realized in the following three dimensions (Fig. 1): Spatial scalability, i.e. possibility of reducing the frame size; Temporal scalability, i.e. possibility of reducing the frame rate; Signal-to-noise ratio (SNR) scalability (or quality scal- ability), i.e. possibility of reducing the frame quality. Having the three different scalability dimensions, video transmission using scalable video coding schemes requires an adaptive strategy to determine which scalability options to be used for given resource constraints. When a bit rate limitation is given, the three dimensions have trade-off rela- tionship, e.g. increasing the spatial resolution can be done only at the cost of the decreased temporal resolution and/or frame quality. The ultimate goal of such a strategy is to max- imize end-users’ quality of experience for the delivered con- tent. Therefore, it is important to understand the impact of different scalability options and their combinations on human 2011 Third International Workshop on Quality of Multimedia Experience 978-1-4577-1335-4/11/$26.00 ©2011 IEEE 25