A beeswax representation of Namarrkon, the
Lightning Man, was found in western Arnhem
LandonanuppertributaryoftheEastAlligator
River (Figure 1). The igure is in exceptionally
goodconditionandofferedthechancetodateit
directly. An adjacent fragment of an underlying
beeswaxigurewasalsodated.Theshelterwhere
the igure was found was well decorated, with
numerousrecentandolder-periodmotifs,includ-
ingasecondrepresentation(awhite,dry-pigment
drawing)ofNamarrkon.
Thesitecomplex(JawoynAssociation#ARN-
0063) was found during a helicopter reconnais-
sanceofsouth-westernArnhemLand(Figure1),
aspartofabroad-scalerecordingofrock-artand
otherculturalheritagesiteswithinJawoynlands
(GunnandWhear2006).Apreliminaryassess-
ment of the site was undertaken in February
2006,withadetailedrecordingandsamplingof
the beeswax made the following June. Here we
present results of the radiocarbon analysis and
examineboththedistributionofbeeswaximages
andtherepresentationofNamarrkoninrock-art
withinArnhemLand.
The beeswax figures
Two beeswax appliqué igures were located in
thelargestshelterwithinthesitecomplex(Figures
2 to 4). The shelter is within a large sandstone
blockatthetopedgeofabroadeast–westtrend-
ing gully. It is one of four rock-art sites within
thissmallsitecomplex.Thetraditionalnameand
signi icance of the complex has been lost, but it
occursimmediatelyupstreamfromJarrlaworpor,
a major Centipede Dreaming site (Badayal
Nadjamerrek, personal communication, 2006).
A singular beeswax representation of Namarrkon, the
Lightning Man, from western Arnhem Land
RG Gunn
La Trobe University
RL Whear
Jawoyn Association
Abstract: Samples from a beeswax representation of Namarrkon, the Lightning
Man,fromwesternArnhemLandwereanalysedforradiocarbonanddatedtobe
about150yearsold.Anunderlyingbeeswaxigurewasfoundtobeapproximately
1100yearsold.TheDreamingBeingNamarrkoniswellknownthroughoutArnhem
Land,althoughhissphereofactivityisconcentratedaroundthenorthernhalfofthe
ArnhemLandplateau.Namarrkoniswellrepresentedinrock-paintingsinthisarea
andcontinuestobewellrepresentedincontemporarycanvas-paintingsbyartists
fromthebroaderplateauregion.WeconcludethatrepresentationsofNamarrkon
inbothpaintedandbeeswaxformsappeartobeparallelmanifestationsofthelate
HoloceneregionalisationofArnhemLand.
54 Australian Aboriginal Studies 2008/2