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Materializing the Tiger in the Archive: Creative Research
and Architectural History
Lilian Chee
‘Invention is the only true intellectual act’
(Serres 1997, 92).
In 2003, I began my doctoral research on the Rales Hotel in Singapore, a listed
monument which had undergone extensive conservation and restoration
works approximately a decade ago. I had intended to learn more about the
architectural history of this building type – it being a grand hotel – with
particular emphasis on its role as a social condenser during the golden age
of colonial travel in Singapore and Malaya, speciically around the turn of the
nineteenth and twentieth centuries. One of its more intriguing spaces was the
old Billiard Room, which had achieved far-lung fame as the spot where the
last tiger was shot in urban Singapore.
It was reported in the local broadsheet that the infamous incident took
place in August 1902 when a tiger, escaping from a native circus act stationed
near the Beach Road reclamation site, took refuge in the undercroft space
of the Billiard Room. The beast was spoted by one of the hotel’s bar ‘boys’,
‘staring through the low verandah railing on the hotel side of the Billiard
Room’ (Straits Times, 1902). In no time, Mr C.M. Phillips, the head teacher
from one of Singapore’s leading boys’ school, the Rales Institution located
near the hotel’s premises, was summoned to the scene from his slumber. He
had been to a fancy dress ball the night before at the Government House
and was still nursing his hangover when he was called to the emergency.
Dressed in his pyjamas, the head teacher proved to be a poor marksman as he
aimed, ired, and missed the tiger several times, hiting the brick pillars of the
building instead. After he managed to inally kill the beast, the tiger’s body
was dragged out from under the Billiard Room by nervous bystanders.
There were neither photographs of the ill-fated tiger nor of the
uncoordinated head teacher. There was also no taxidermic specimen of the
prize trophy. All that remains of this historical incident is the newspaper
report, which ofers a blow-by-blow account of this ‘hunt’. The ambivalent
report, titled ‘Shot at Rales Hotel – Under the Billiard Room’, gives the
impression that the reporter and the hotel crowd were not impressed by
Philips’s forlorn performance. Instead, sympathies resided with the majestic
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