Beethoven àla moujik : Russianness and Learned Style in the “Razumovsky” String Quartets Author(s): Mark Ferraguto Source: Journal of the American Musicological Society, Vol. 67, No. 1 (Spring 2014), pp. 77-124 Published by: University of California Press on behalf of the American Musicological Society Stable URL: http://www.jstor.org/stable/10.1525/jams.2014.67.1.77 . Accessed: 22/05/2014 09:52 Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at . http://www.jstor.org/page/info/about/policies/terms.jsp . JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact support@jstor.org. . University of California Press and American Musicological Society are collaborating with JSTOR to digitize, preserve and extend access to Journal of the American Musicological Society. http://www.jstor.org This content downloaded from 128.118.88.48 on Thu, 22 May 2014 09:52:44 AM All use subject to JSTOR Terms and Conditions