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THE ROLE OF THE RECORD AND THE PARADOX OF
THE ORIGINAL
Implications for the re-construction of historic buildings affect-
ed by earthquakes in Chile
B. DEVILAT
1
, S. GAGE
2
1
PhD(c) in Architectural Design, The Bartlett School of Architecture
& DPU, University College London, London, UK
bernadette.devilat.11@ucl.ac.uk
2
Principal Research Associate, Emeritus Professor. The Bartlett
School of Architecture, University College London, London, UK
s.gage@ucl.ac.uk
Abstract. Earthquakes have progressively destroyed the Chilean built
heritage over the years, not only due to the initial devastation they
produce, but also as a result of the applied reconstruction approaches
that follow. The design of reconstruction projects has usually aimed to
re-establish the previous built form of historic buildings; generating
new ‘heritage’ constructions that try to imitate only the appearance of
previous ones rather than understanding that heritage, in the case stud-
ied, includes a sustainable mode of construction. This issue occurs in
places where previous records are sometimes non-existent, which pos-
es the question of authenticity. Considering the regularity of earth-
quakes in Chile, the role of accurate recording technologies, such as
3D laser scanning, becomes relevant. Their implications for new and
existing architectures in the re-construction process include being a
virtual database for demolition, retrofitting, intervention or replica.
This paper examines the survey of the church of San Lorenzo de
Tarapacá obtained in January 2013, and discusses how this, in con-
junction with previous records, might impact on what is considered
heritage and the design of future reconstructions.
Keywords. Earthquakes; 3D scanning; heritage intervention; replica;
Tarapacá.