Media, Culture & Society
34(6) 726–743
© The Author(s) 2012
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DOI: 10.1177/0163443712449499
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Crowdsourcing and
outsourcing: the impact of
online funding and distribution
on the documentary film
industry in the UK
Inge Ejbye Sørensen
Copenhagen University, Denmark
Abstract
This article compares traditional and new ways of funding documentary film in the
UK and asks what crowd financing, pay-if-you-want schemes and online distribution
sites mean for documentary films and its industry today. How do online financing
models impact on producers, traditional funding models and funders? And following
the money, who really benefits? The first section of this article charts trends in
British documentary budgets in the last decade and explores how changes in financing
impact on the production of documentary films. The second focuses on new ways of
funding and distributing documentary films online. Drawing on case studies of crowd
investment schemes, crowdfunding and P2P distribution; interviews with documentary
and multiplatform producers and commissioners, as well as on statistics and annual
reports from broadcasters, lobbyists and regulators, I will argue that in real terms
there has been a decline in and a polarization of documentary budgets in the UK. As a
result, producers are increasingly looking to the internet to fund their documentaries.
However, an online financing market suspended between ad hoc funding and long-
term recuperation has consequences for the documentary industry, the kinds of
documentaries made, the topics they explore and the ways in which they are produced.
Keywords
crowdfunding, crowdsourcing, documentary, documentary budgets, documentary
funding, documentary industry, online distribution, online funding, UK broadcasting
Corresponding author:
Inge Ejbye Sørensen, Copenhagen University, Njalsgade 80, Copenhagen 3600, Denmark.
Email: inges@hum.ku.dk
449499MCS 34 6 10.1177/0163443712449499SørensenMedia, Culture & Society
2012
Article