Published: July 2008 in Management Online REview, www.morexpertise.com ISSN 1996-3300
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Copyright © Oxford Management Publishing 2008
Organizations, Art and Gender
Päivi Eriksson, Elina Henttonen, Susan Meriläinen
Abstract
In their search for alternative images and vocabularies organization theorists are using art as
a source of inspiration to understand what organizations and organizing are all about. We
join the researchers who claim that there is potential in art-inspired organizational research to
produce new knowledge and social change. However, we also argue that uncritical use of art
brings about little social change, and instead, reproduces non-equalizing practices both in
organization and art research. To illustrate our point we reread one piece of research, which
uses constructivist art as an analogy for social networks to initiate discussion about
organizations, art and gender.
Keywords: Organization research, Constructivist art, Gender, Social networks, Social
change.
Introduction
In their search for alternative frameworks, images and vocabularies, organization theorists
have taken in ideas from the field of arts. In particular, various art forms have been used as
sources of inspiration to understand what organizations and organizing are all about.
Accordingly, music (e.g. Hatch, 1997, 1999; Kamoche & Pina e Cunha, 2001; Pavlovich,
2003), theatre (e.g. Boje, 1995, 2002; Kanter, 2002), literature (e.g. Czarniawska-Joerges &
Guillet de Monthoux, 1994; Czarniawska, 1999), as well as visual culture and photography
(e.g. Strati, 1997, 2000) have been used to provide analogies or metaphors for studying and
understanding various aspects of organizational life. This stream of research argues that art
provides an alternative line of thought through which we can visualize, narrate, listen to, and
study organizations as aesthetic, creative, dynamic and improvised.
However, it can still be asked what kind of difference does art-inspired organization research
actually make compared to the established knowledge on organizations. What is different
and new, and what is not? In this article, we join the researchers who claim that there is
potential in art-inspired organizational research to produce new knowledge and social
change. However, we also argue that, in light of what we already know about organizations,
part of this potential will be wasted if art inspired organizational research does not pay
attention to social differences such as class, gender, race and ethnicity.
Over the years, several authors have criticized organization theorists for their tendency to
reproduce patriarchal and masculine practices and representations of organizational life,
which leave gender and other social differences non-problematized. As a result, these