PROOF ONLY
‘There is one in every home’
Finding the place of television in new
homes among a low-income population in
Santiago, Chile
● Sebastian Ureta
ABSTRACT ● This article studies the symbolic and practical meaning of
the placement of television sets in different home spaces. Based on fieldwork
conducted among a low-income population in Santiago, Chile, it shows how
their move to a social housing estate constitutes for these families an
opportunity to start organizing their domestic space in a different way,
particularly in accordance with modernist distinctions between public and
private spaces. In this context television sets appear as a central element of the
material culture of the home, symbolizing for family members their access to
the normal stock of material culture in urban homes. But at the same time the
practice of watching television both in public and private places is commonly
resisted, showing that the device still occupies an ambiguous place within the
ideas of domesticity of the members of the families under study. ●
KEYWORDS ● home spaces ● housing estates ● location ● material
culture ● television set
When thinking about the place of television at home it is clear that the rela-
tionship between television-related practices and the rest of the practices that
we identify as forming what we call ‘home’ is very complex. Unlike any other
media technology, television occupies a central place in home practices to the
extent that it is difficult to imagine or think about home without recalling its
presence and its effect on the home environment. From the distribution and
use of home spaces to the scheduling of individual actors in time, television
practices constitute one of the central nodes around which, and in connection
with, domestic life is lived.
ARTICLE
INTERNATIONAL
journal of
CULTURAL studies
Copyright © 2008 SAGE Publications
Los Angeles, London, New Delhi and Singapore
www.sagepublications.com
Volume 11(4): 477–497
DOI: 10.1177/1367877908096055
477
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