Accumulation, Transmission. Deleuze and the Movements of the Seventh Series Zornitsa Dimitrova University of Münster Abstract This essay probes into the possibility of encountering the Deleuzian sense-event in four Tom Stoppard radio plays, Moon (1964), Boot (1964), Glad (1966) and Artist Descending A Staircase (1972). Itself an incorporeal – an occurrence of the interface – the wonderful and strange protagonist of Gilles Deleuze’s 1969 Logic of Sense is approached in apophatic gestures, with a glimpse at the various vestiges it has left upon texts. Within this exercise in indirection, ‘empty forms’ present themselves as the texts’ circulating words. Informed by and receiving infusions from two parallel flows of Deleuzian signifiers and signifieds, these entities are singled out as the texts’ pointers that open up a cleavage where the sense-event can issue forth. Keywords: Deleuze, Stoppard, radio, sense, event, language I. Introduction This is an attempt to account for the oftentimes deliberate gaps, overlappings or paradoxical attachments of Deleuzian sense and its ground of subsistence, the dramatic utterance, in four Tom Stoppard radio plays, M is for Moon Among Other Things (1964), The Dissolution of Dominic Boot (1964), If You’re Glad I’ll Be Frank (1966) and Artist Descending A Staircase (1972). Itself an incorporeal – an occurrence of the interface – the wonderful and strange protagonist of Gilles Deleuze’s 1969 Logic of Sense (Deleuze 1990) will be approached in apophatic gestures, with a glimpse at the various vestiges it has left Deleuze Studies 6.3 (2012): 464–484 DOI: 10.3366/dls.2012.0074 © Edinburgh University Press www.eupjournals.com/dls