European Journal of Cultural Studies
1–18
© The Author(s) 2015
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DOI: 10.1177/1367549415603374
ecs.sagepub.com
EUROPEAN JOURNAL OF
Not just a joke: The ‘quenelle’
as a running gag masking
anti-Semitic communication
Sandrine Boudana
Tel Aviv University, Israel
Abstract
Invented by French comedian Dieudonné and interpreted as an anti-Semitic gesture,
the ‘quenelle’ is a running gag with worldwide circulation in public settings and
social networks. This case confronts us with the challenge posed by the use of humor
as a cover for racist communication. Rejecting the options of political ban and media
boycott as inefficient, this article examines two alternative strategies discussed in
the French public sphere: One remains in the realm of humor and consists of joking
back, while the other attempts to unmask the political significance of the quenelle
behind the meaning that its producers claim to give it. This article draws on theories
of disparagement humor and hermeneutics to propose strategic responses to those
using humor as cover for denigration and vilification.
Keywords
Anti-establishment, anti-Semitism, Dieudonné, disparagement humor, French
politics, media boycott, political ban, political humor, public sphere
When he performed the ‘quenelle’ (Figure 1) in a British stadium in December 2013, the
French soccer star Nicolas Anelka exported a French controversy to the international
scene. Invented by Dieudonné M’bala M’bala, a French comedian convicted eight times
for anti-Semitic speech and incitement to racial hatred,
1
the quenelle has been interpreted
as an inverted Nazi salute. As such, it arouses indignation and raises concerns among
politicians, the media and the public in the Western world. In 5 weeks (28 December
2013–3 February 2014), the Times dedicated 27 articles and the New York Times no fewer
Corresponding author:
Sandrine Boudana, The Department of Communication, Tel Aviv University, Ramat Aviv, Tel
Aviv 6997801, Israel.
Email: sandrine@post.tau.ac.il
603374ECS 0 0 10.1177/1367549415603374European Journal of Cultural StudiesBoudana
research-article 2015
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