238 Book Reviews Archaeological Review from Cambridge 27.2: 209–254 Changing Pictures: Rock Art Traditions and Vision in Northern Europe By Joakim Goldhahn, Ingrid Fuglestvedt and Andrew Jones . Oxford: Oxbow Books Oxbow Books Pbk,  pp.  illus. ISBN: ---- Reviewed by Mark Sapwell Department of Archaeology and Anthropology, University of Cambridge F ollowing a workshop in 2008 at Linnaeus University, Sweden, Changing Pictures ofers 13 papers that address the study of rock art from northernmost Europe. Written entirely in English, the volume provides a rare and celebrated case where the latest rock art research in Fennoscandia is made accessible to an international audience. The title of the book works well to introduce its key theme; exploring how not only pictures change, but also how people are changed by pictures. The contributions draw on both new ideas and old, though many particularly endeavour to address traditional approaches to rock art (eg. ritual performance, sympathetic magic, animism, totemism, prehistoric religions) using the most recent theoretical approaches. Goldhahn et al ’s introduction (Chapter One) is speciic in stating how those recent outlooks discussed involve a rethinking of ideology and its use in the interpretation of rock art. They comment that a growing trend in rock art research involves a heavier reference to theories of practice and an examination of rock art ‘from the ground’ (page 3). Rather than relying exclusively on overarching worldviews, current interpretations are more likely to ask how everyday ways of living shaped peoples experiences of the world. Chapter Two, animals, churingas and rock art in Late Mesolithic Northern Scandinavia by Ingrid Fuglestvedt, contributes to the rethinking of animism in rock art study (Wallis 2009). Fuglestvedt distinguishes between totemic and animic rock imagery. She suggests that elk igures