Neuropsychologia 46 (2008) 632–639
Evidence for the role of the right auditory cortex in fine pitch resolution
Krista L. Hyde
a,b,c,∗
, Isabelle Peretz
b,c
, Robert J. Zatorre
a,c
a
Montreal Neurological Institute, McGill University, 3801 University Street, Montreal, Quebec, Canada H3A 2B4
b
Department of Psychology, University of Montreal, C.P. 6128 succ. Centre-ville, Montreal, Quebec, Canada H3C 3J7
c
International Laboratory for Brain, Music and Sound Research (BRAMS), Montreal, Quebec, Canada
Received 18 January 2007; received in revised form 4 September 2007; accepted 5 September 2007
Available online 14 September 2007
Abstract
The neural basis of human pitch perception is not fully understood. It has been argued that the auditory cortices in the two hemispheres are
specialized, such that certain right auditory cortical regions have a relatively finer resolution in the frequency domain than homologous regions in the
left auditory cortex, but this concept has not been tested directly. Here, we used functional magnetic resonance imaging (fMRI) to test this specific
prediction. Healthy volunteers were scanned while passively listening to pure-tone melodic-like sequences in which the pitch distance between
consecutive tones was varied in a parametric fashion. As predicted, brain activation in a region of right lateral auditory cortex, corresponding to
the planum temporale, was linearly responsive to increasing pitch distance, even across the fine changes in pitch. In contrast, the BOLD signal at
the homologous left cortical region was relatively constant as a function of pitch distance, except at the largest pitch change. The results support
the model of relative hemispheric specialization and indicate that the right secondary auditory cortex has a finer pitch resolution than the left.
© 2007 Elsevier Ltd. All rights reserved.
Keywords: fMRI; Hemispheric functional specialization; Normal brain; Planum temporale
1. Introduction
Pitch is the perceptual correlate of acoustic frequency and
can be considered along at least two perceptual dimensions,
pitch height and pitch chroma (Shepard, 1982). Pitch height,
is related to spectral energy distribution and is illustrated by
the octave on the keyboard. In contrast, pitch chroma, or the
cycle of notes within the octave, provides a basis for acous-
tic patterns (melodies). Several studies have investigated the
processing of sequential or melodic pitch, which is critical for
musical perception, however, its neural correlates are not fully
understood.
Many findings have shown that musical pitch processing
preferentially involves right auditory cortical structures. For
example, studies of brain-lesioned patients have shown that
the right auditory cortex is critical for melody discrimina-
tion (Milner, 1962), perception of missing fundamental pitch
∗
Corresponding author at: McConnell Brain Imaging Center, Montreal Neu-
rological Institute, McGill University, 3801 University Street, Montreal, Quebec,
Canada H3A 2B4. Fax: +1 514 398 8949.
E-mail address: krista.hyde@mail.mcgill.ca (K.L. Hyde).
(Zatorre, 1988), perception of melody in terms of its global
contour (Peretz, 1990), direction of pitch change (Johnsrude,
Penhune, & Zatorre, 2000), and in using melodic contextual
cues in pitch judgments (Warrier & Zatorre, 2004). Consis-
tent evidence comes from neuroimaging studies of normal
subjects, showing that right secondary auditory regions are cen-
tral in various aspects of musical pitch processing, such as
in melodic processing (Patterson, Uppenkamp, Johnsrude, &
Griffiths, 2002; Zatorre, Evans, & Meyer, 1994), in the mainte-
nance of pitch while singing (Perry et al., 1999), and in imagery
for tunes (Halpern & Zatorre, 1999). In contrast, left auditory
regions seem to be specialized for rapid temporal processing as
required in speech (e.g. Belin et al., 1998; Jancke, Wustenberg,
Scheich, & Heinze, 2002; Phillips & Farmer, 1990; Zaehle,
Wustenberg, Meyer, & Jancke, 2004).
Zatorre, Belin, and Penhune (2002) have recently proposed
that the auditory system has developed two parallel and com-
plementary systems, one in each hemisphere, specialized for
differential resolution in the spectral and temporal domains, as
a need to optimally process incoming simultaneous spectral and
temporal acoustic information from the environment. A similar
proposition has been made by Poeppel (2003), who suggested
that different time integration windows characterize the left and
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doi:10.1016/j.neuropsychologia.2007.09.004