Design of A Wireless Sensor Network Based Automatic Light Controller in
Theater Arts
Chuan Feng, Lizhi Yang, Jerzy W. Rozenblit
Electrical and Computer Engineering Department
The University of Arizona
Tucson, Arizona 85721
Email: {fengc, lyang, jr}@ece.arizona.edu
Peter Beudert
School of Theatre Arts
The University of Arizona
Tucson, Arizona 85721
Email: pbeudert@email.arizona.edu
Abstract
In this paper, an automatic lighting controller designed
and built using a wireless sensor network indoor posi-
tioning technology is described. This controller can au-
tonomously track actors during a real-time theatrical per-
formance. Kalman filter and 3-D trilateration technologies
were used with Cricket wireless sensors to implement this
system. In addition, an entertainment industry standard
protocol DMX-512 and an efficient calibration method were
applied to realize remote computerized fixture control. As
far as we know, this controller is the first application of
wireless sensor networks in the theater arts area. A success-
ful public performance concert at the University of Arizona
validated the performance of the system.
1 Introduction
In this paper, we propose an automatic moving light
controller which was built using a wireless sensor net-
work (WSN for short) based indoor positioning technol-
ogy. WSN is an interconnected wireless system of typically
small low power electronic sensors that provide ubiquitous
sensing and computing capabilities, through which the con-
troller tracks the position of actors on the stage. It con-
trols the light instruments to illuminate the actors as needed
[2]. In contrast with traditional systems that rely on pre-
programmed sequences, this system provides autonomous
abilities to control the moving lights in real-time.
Modern stage lighting plays an important part in a per-
formance. The director can use the lights to alter the per-
ception of shapes, direct audiences’ attention, set the mood
of a scene, establish position in time and day, and trigger a
variety of events.
To achieve these various objectives, different types of
lighting instruments and related control systems are imple-
mented. One modern instruments which appeared in the-
aters in the early 1980’s is an intelligent fixture (or moving
light) . An intelligent fixture allows remote control of the
movement of a light beam either by moving a mirror that re-
flects the beam in front of the lens, or by moving the whole
fixture itself.
Traditionally, the moving light is pre-programmed by the
lighting designer before a real time performance [9]. It is
like an industrial manipulator that can only play-back what
has been memorized during a training session. There are no
automatic lighting devices that can track and follow actors
during a show because they lack real time position infor-
mation. We wanted to build a system which obtains the
position of actors in real time and controls the beam of the
intelligent fixture automatically.
In the next section, we briefly review previous work. In
Section 3 we describe the High Accurate Positioning sub-
system including the wireless sensor network, Kalman fil-
ter, and the 3-D trilateration algorithm. In Section 4, we
present the automatic lighting control subsystem. Section
5 describes the whole system setup and implementation. In
Section 6, the experiment and real performance results in
the theater of the University of Arizona are presented. Sec-
tion 7 discusses future work.
2 Related Work
Theater lighting is one of the most important features in
modern theater performance. In Disney’s “Beauty and the
Beast”, which opened at the Dominion Theater in London
1998, there were 1240 lighting units, with different levels
of intensity, changing color and focus on moving objects
at different times [6]. In that performance, sixty seven au-
tomated fixtures were used, which communicated with the
control desk via the DMX 512 protocol, an entertainment
industry standard based on RS485 to change the pan, tilt, in-
tensity, color and gobo. These fixtures usually utilize com-
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