ARTICLE
Connecting the dots between fantasy and reality:
The social psychology of our engagement with
fictional narrative and its functional value
Karen E. Dill‐Shackleford
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Cynthia Vinney
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Kristin Hopper‐Losenicky
Fielding Graduate University
Correspondence
Karen Dill‐Shackleford, Psychology, Fielding
Graduate University.
Email: kshack@fielding.edu
Abstract
This essay provides an overview of research and theory on narrative
and its important, functional role in human experience, including the
ways people use media to interrogate their own beliefs and feelings,
and derive social meaning. Thought‐provoking film, television, and
books can help us make meaning of our lives and grow in ways that
are important for our successful social functioning. Research
reviewed here demonstrates that exposure to fiction can increase
empathy and social skills and reduce prejudice. Our connection to
characters and stories has been studied in various ways as
extensions of the self into another, while at the same time bringing
the other into the self. Bringing together disparate perspectives, we
propose that connecting to story worlds involves a process of “dual
empathy”—simultaneously engaging in intense personal processing
while also “feeling through” characters, both of which produce
benefits. Because the value of entertainment narratives may not
always be well understood, we explain how those experiences can
be personal, social, and can serve important adaptive functions.
KEYWORDS
emotion, engagement, fiction, film, identification, meaning, narrative,
psychological well‐being, simulation, story, television
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INTRODUCTION
There is a mystery about everyday life in Western societies that scholars are just beginning to unravel. In most public
spaces, you will notice that people are often looking at, interacting with, and focusing on screens. Smartphones'
screens are often preferred for their pocket‐sized portability, but others abound, including those of tablets,
computers, televisions, movie theaters, and even wearables like smartwatches. All those screens are used in many
ways, from pleasure seeking to information gathering, to communication. When people use their screens to watch
or read fictional narratives, though, something interesting happens. When immersed in the stories of fictional
Received: 7 January 2016 Revised: 3 August 2016 Accepted: 6 August 2016
DOI 10.1111/spc3.12274
634 © 2016 John Wiley & Sons Ltd Social and Personality Psychology Compass 2016; 10: 634–646 wileyonlinelibrary.com/journal/spc3