Organic ‘folkloric’ community driven place-making and tourism
Trevor Sofield
a, *
, Jaume Guia
a
, Jan Specht
b
a
University of Girona, Spain
b
Baden-Wuerttemberg Cooperative State University, Germany
highlights
Organic place-making is described under five different disciplinary perspectives.
Some community-driven organic place-making results in new destinations emerging.
Organic community-led place-making restricts tourism management to place-marketing.
Relevant forms of creative tourism rely on community-driven place-making practices.
Organic community-driven place-making enhances destination sustainability.
article info
Article history:
Received 30 June 2014
Received in revised form
6 January 2017
Accepted 7 January 2017
Keywords:
Place-making
Organic
Community-initiated
Creative tourism
‘Vernacular architecture’
abstract
The term 'place-making' describes a multi-faceted approach to the planning, design and management of
public places for improving urban environments and residents' quality of life. Place-making has since
become an institutionalized industry often supported by multi-million dollar budgets, but rarely are
communities in control. The emphasis on improved welfare outcomes for communities has frequently
omitted tourism benefits as an objective, although the tourism industry is often quick to exploit public
space developments. Even though there is an emergent literature on place-making and tourism that has
started to analyze this phenomenon, there is still little understanding of the role of place-making in
tourism when place-making is the result of a community-led organic process. Five cases of place-making
through emic, organic, folkloric, community-driven initiatives that differ markedly from the formal
'industry' of place-making that have achieved tourism-related outcomes even where tourism was not a
primary motivation, are explored.
© 2017 Elsevier Ltd. All rights reserved.
1. Introduction
The genesis for this study came from awareness during a decade
of accumulated visits to five small tourist attractions in Tasmania, of
the phenomenon of place-making that seemed to be embedded in
community, coupled with curiosity about how they developed as
distinct places and were able to maintain their vitality. As an area of
academic study, place-making is an evolving field of academic
research and industry practice set within a dynamic social context
that is interdisciplinary, multidisciplinary and transdisciplinary,
and is influenced inter alia by geography, economics, public policy,
political science, sociology, psychology, law, architecture, con-
struction sciences, technology and marketing. Past research has
attempted to view, explain and unpack the inherent complexities of
place-making through a variety of lenses, and in tourism it has
often been restricted to image (re-)construction for marketing. The
integrated synthesis across disciplinary boundaries that is utilized
here thus denies a single paradigmatic approach although in broad
terms it could be characterized as ‘complexity place-making.’
The beautification of public spaces through iconic architecture,
monumental art works, sculptures and other artistic expression,
has been a key factor in creating images of and identity for villages,
towns and cities dating back centuries. This image creation has
been an evolutionary process and the tourism industry is an avid
consumer of such places. Highly distinctive and celebrated street-
scapes of cities such as Rome, Paris, London, Athens, Istanbul,
Bhaktapur, Suzhou, Kyoto and many more as highly attractive
destinations, immediately spring to mind, their attractions sacral-
ized through tourism (MacCannell, 1976). But these are places that
have already been ‘made’ in the sense that they have had distinct,
globally recognizable images/representations/signifiers for many
* Corresponding author.
E-mail address: Trevor.Sofield@utas.edu.au (T. Sofield).
Contents lists available at ScienceDirect
Tourism Management
journal homepage: www.elsevier.com/locate/tourman
http://dx.doi.org/10.1016/j.tourman.2017.01.002
0261-5177/© 2017 Elsevier Ltd. All rights reserved.
Tourism Management 61 (2017) 1e22