www.ijellh.com 135 The Concept of Rasatatva and Raga Presentation *M. K. Nawasalkar & **R. K.Nawasalkar & **Dr. Pt. N. Mangrulkar 1 Research Scholar, S.G.B. Amravati University Amravati Arts, Commerce & Science College, Kiran Nagar Amravati (M.S.) India Abstract In the world of Indian Classical Music, when an artist enter the „Raga vishva‟, whatever the artist sense, is expressed through the art, and audience enjoy it through performance, which creates a „Resonating Bliss‟ is termed as the Rasa. Through Raga architecture and Raga Expansion, the achievement of extremity of Raga Sangeet is the ultimate aspire, and it is the brilliance testing point for an artist. Raga is a Thought, Emotion and Beauty. The combination of manifestation and aesthetics sense is a reward of superior presentation, and therefore the self (artist) and audiences releasement in the extreme flow of delight is the „Rasanubhava‟ for both , performer and listener. Keywords:Sthayee-bhava, Rasanubhuti, Emotions, Music, Bhava, Kakubheda. 1. Introduction Among the arts like Dance, Drama and Literature the imagination of Ras is assumed. The music is specially imposing art because it stimulate the sub conscious mind. “The point where words gets conclude exactly at a point starts „The Swara‟” as quoted b y Gurudeva Rabindranath Tagaore. The basic intimate endeavor of art is to keep humans away from a objective elation and sorrow and is called as condition of „Rasanubhuti‟ (sensing the Rasa).