1 Scalpel and Metaphor: The Ceremony of Organ Harvest in Gothic Science Fiction Sara Wasson, Edinburgh Napier University From Gothic Studies 17.1 (May 2015), special issue on Medical Gothic. [Author Accepted Copy. Final version available at publisher site, https://doi.org/10.7227/GS.17.1.8 ABSTRACT: In organ transfer, tissue moves through a web of language. Metaphors reclassify the tissue to enable its redeployment, framing the process for practitioners and public. The process of marking tissue off as transferrable in legal and cultural terms psrallels many of the processes that typically accompany commodification in late capitalism. This language of economic transformation echoes the language of Gothic ceremony, of purification and demarcation. As in literary Gothic’s representations of ceremony, this economic work is anxious and the boundaries it creates unstable. This article identifies dominant metaphors shaping that ceremony of tissue reclassification, and examines how three twenty-first century novels deploy these metaphors to represent the ‘harvest’ (procurement) process (the metaphor of ‘harvest’; is itself highly problematic, as I will discuss). Kazuo Ishiguro’s Never Let Me Go (2005), Neal Shusterman Unwind (2007), and Ninni Holmqvist’s Swedish novel Enhet (The Unit) (2006, translated into English in 2010) each depict vulnerable protagonists within societies where extreme tissue procurement protocols have state sanction. The texts invite us to reflect on the kinds of symbolic substitutions that help legitimate tissue transfer and the way that procurement