European Journal of Women’s Studies
2016, Vol. 23(4) 335–352
© The Author(s) 2016
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DOI: 10.1177/1350506816666891
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Women’s cinema of
trauma: Affect, movement,
time
Dijana Jelača
Fordham University, USA
Abstract
This article analyses several notable examples of what the author calls the post-Yugoslav
women’s cinema of trauma. These films made by women filmmakers challenge the
standard tropes of war, as well as normative approaches to war cinema, by highlighting
the intimate affective domain of experience, rather than large-scale narratives and
collective emotions. The author focuses on the near-silent short and experimental
works of Una Gunjak and Šejla Kamerić (both from Bosnia-Herzegovina), and suggests
that they offer insightful formal and narrative ways of rethinking the question of what
makes a war film, as well as what constitutes a woman’s experience of war. By arguing
for a continued, strategic and locally specific use of the term women’s cinema, the
author deploys feminist analytics towards inscribing these filmmakers’ work into the
transnational flows of knowledge production about marginalized groups and non-
Western geographies.
Keywords
Affect, Bosnia-Herzegovina, trauma and memory, war, women’s cinema, Yugoslavia
Women’s cinema as war cinema: Post-conflict perspectives
The concept of women’s cinema has haunted feminist inquiries into film ever since Claire
Johnston published her seminal essay ‘Women’s cinema as counter-cinema’ in 1973. In
it, she set the stage for lively and passionate debates about what constitutes women’s
cinema (and the category of woman to begin with), and to what political ends such a term
could or should be deployed. Importantly, Johnston’s influential essay concerns itself not
with a presumption of women’s cinema as a given fact, but with ‘developing a strategy
Corresponding author:
Dijana Jelača, Fordham University, Department of Communication and Media Studies, Faculty Memorial Hall
430, Bronx, NY 10458, USA.
Email: ddj514@gmail.com
666891EJW 0 0 10.1177/1350506816666891European Journal of Women’s StudiesJelaa
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