King Lear, Heartbreak House, and the Dynamics of Inertia Author(s): Brett Gamboa Source: Shaw, Vol. 35, No. 1, SPECIAL ISSUE: Shaw and Modernity (2015), pp. 86-106 Published by: Penn State University Press Stable URL: http://www.jstor.org/stable/10.5325/shaw.35.1.0086 Accessed: 01-12-2016 03:27 UTC JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact support@jstor.org. Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at http://about.jstor.org/terms Penn State University Press is collaborating with JSTOR to digitize, preserve and extend access to Shaw This content downloaded from 129.170.194.204 on Thu, 01 Dec 2016 03:27:55 UTC All use subject to http://about.jstor.org/terms