Between neo-Ottomanism and
Ottomania: navigating state-led and
popular cultural representations of
the past
Murat Ergin and Yağmur Karakaya
Abstract
In contemporary Turkey, a growing interest in Ottoman history represents a
change in both the official state discourse and popular culture. This nostalgia
appropriates, reinterprets, decontextualizes, and juxtaposes formerly distinct
symbols, ideas, objects, and histories in unprecedented ways. In this paper, we
distinguish between state-led neo-Ottomanism and popular cultural Ottomania,
focusing on the ways in which people in Turkey are interpellated by these two
different yet interrelated discourses, depending on their social positions. As the
boundary between highbrow and popular culture erodes, popular cultural
representations come to reinterpret and rehabilitate the Ottoman past while also
inventing new insecurities centering on historical “truth.” Utilizing in-depth
interviews, we show that individuals juxtapose the popular television series
Muhteşem Yüzyıl (The Magnificent Century) with what they deem “proper”
history, in the process rendering popular culture a “false” version. We also
identify four particular interpretive clusters among the consumers of Ottomania:
for some, the Ottoman Empire was the epitome of tolerance, where different
groups lived peacefully; for others, the imperial past represents Turkish and/or
Islamic identities; and finally, critics see the empire as a burden on contemporary
Turkey.
Keywords: Ottomania; neo-Ottomanism; popular culture; modernity; history;
The Magnificent Century
Murat Ergin, Koç University, Department of Sociology, Rumeli Feneri Yolu 34450, Sarıyer, İstanbul, Turkey,
muergin@ku.edu.tr.
Yağmur Karakaya, University of Minnesota, Department of Sociology, 267 19th Ave. S #909, Minneapolis, MN
55455, USA, karak014@umn.edu.
Authors’ Note: The authors are listed alphabetically, as each is an equal co-author. We would like to thank the
editors and anonymous reviewers of New Perspectives on Turkey for their helpful comments and criticisms.
New Perspectives on Turkey, no. 56 (2017): 33–59. © New Perspectives on Turkey and Cambridge University Press 2017
10.1017/npt.2017.4
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