ARTICLES Carla Giuadrone, “Mitos y realidades de la inmigración europea en el paisaje rural de la literatura uruguaya (1920-1950).” .......................................................................................... 2 Jhonn Nilo Guerra Banda, “Transgresiones del cuerpo masculino en El goce de la piel de Oswaldo Reynoso.” .............................................................................................................. 12 Mario Jiménez Chácon, “Sobre el peregrinaje y lo milagroso en ‘Talpa’, de Juan Rulfo.” .......................................... 23 Rachel Elizabeth Robinson, “Plastic Poetry of the Page: Cecilia Vicuña’s Instan.” ......................................................33 Amina Damerdji, “Commitment trouble: Gender performances and poetic dissent in the Cuban Revolution.” ......................................................................................................... 44 Ernest Rafael Hartwell, “Imperial Endnotes: The First Filipino and Boricua Historians.” ........................................... 53 Andrea Easley Morris, “Creative Control: Navigating Foreign Presence in Contemporary Dominican and Cuban Narrative.” .................................................................................................... 68 Agnese Codebò, “Volveré y seré millones: los cuerpos de Evita en Tomás Eloy Martínez y Néstor Perlongher.” ........................................................................................................ 78 TRANSLATION Ruperta Bautista Vázquez, “Healers and other poems,” Translated by Paul M. Worley. ............................................ 88 NEW CREATIVE WORK Terri Kirby Erickson, “The River of Doubt” (poem). .................................................................................................. 92 Ryan James García, “Improper People” (story). ........................................................................................................ 93 REVIEWS De ultramodernidades y sus contemporáneos de Luis Rebaza Soraluz. Lima: Fondo de Cultura Económica, 2017. 384 páginas. Reviewed by: José Rafael Chávarry .......................................................................................................................... 95 The Cry of the Renegade: Politics and Poetry in Interwar Chile. By Raymond B. Craib. New York: Oxford UP, 2016. xiii+271 pages. Reviewed by: Claire F. Fox ....................................................................................................................................... 96 After Human Rights: Literature, Visual Arts, and Film in Latin America, 1990-2010. By Fernando J. Rosenberg. Pittsburgh: University of Pittsburgh Press, 2016. 296 pages. Reviewed by: Anne Lambright ................................................................................................................................. 98 Public Pages: Reading along the Latin American Streetscape. By Marcy Schwartz. Austin: University of Texas Press, 2018. 286 pages. Reviewed by: Viviane Mahieux................................................................................................................................. 99 Delirious Consumption: Aesthetics and Consumer Capitalism in Mexico and Brazil. By Sergio Delgado Moya. Austin: University of Texas Press, 2017. 285 pages. Reviewed by: Francine Masiello ............................................................................................................................. 100 Acoustic Properties: Radio, Narrative, and the New Neighborhood of the Americas. By Tom McEnaney. Evanston: Northwestern UP, 2017. 313 pages. Reviewed by: Tania Gentic ..................................................................................................................................... 102 Tropical Rifs: Latin America and the Politics of Jazz. By Jason Borge. Durham, NC and London: Duke University Press, 2018. 266 pages. Reviewed by: Charles A. Perrone ............................................................................................................................ 103 The Great Woman Singer: Gender and Music in Puerto Rican Music. By Licia Fiol-Matta. Durham and London: Duke University Press, 2017. 291 pages. Reviewed by: Ana Cecilia Calle-Poveda .................................................................................................................. 104 Latin American Literary Review Volume 45 / Number 90 Goldwin Smith Hall, Cornell University Ithaca, NY 14853 607-255-4155 E-mail: latamlitrevpress@gmail.com Website: www.lalrp.net