https://doi.org/10.1177/1367877917704493
International Journal of Cultural Studies
1–15
© The Author(s) 2017
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DOI: 10.1177/1367877917704493
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Site-specific television as urban
renewal: Or, how Portland
became Portlandia
Helen Morgan Parmett
University of Vermont, USA
Abstract
This article addresses the rise of what I call ‘site-specific television’, where the dispersion of
television production outside traditional centers results in shooting locations that also serve as
the crux of the televisual narrative. I argue that site-specific television constitutes ‘TV renewal’,
in which on-location shooting practices are constitutive of urban regeneration efforts that draw
on local, alternative, and creative cultures of production to help promote, rebrand, and revitalize
marginalized city spaces with, often, gentrifying implications. Taking up Portlandia as a case study
of site-specific television, I argue its on-location production practices depend on decentralized
and embedded practices of production that align with recent economic and cultural changes in
the television industry and in the city.
Keywords
creative cities, gentrification, on-location filming, production studies, television production,
urban renewal
In a third season, stop-animation sketch episode of Portlandia, two rats decide to move
out of their newly gentrified neighborhood, Portland’s Pearl District, which used to be a
gritty industrial, working-class area but has in the past 15 years been ‘revitalized’ into a
shopping, entertainment, and cultural arts destination. Searching for a more ‘authentic’
neighborhood, the rats first try out the city’s Southeast neighborhood on Hawthorne St.,
Corresponding author:
Helen Morgan Parmett, Department of Theatre, Director, Speech & Debate Program, University of
Vermont, 475 Main St., Burlington, VT 05405, USA.
Email: hxmorgan@uvm.edu
704493ICS 0 0 10.1177/1367877917704493International Journal of Cultural StudiesParmett
research-article 2017
Article