Published in Variaciones Borges 46, November 2018 Online: http://link.galegroup.com.proxy.library.emory.edu/apps/doc/A563572019/LitRC? u=emory&sid=LitRC&xid=515f3903 Borges y Yo, Eiron and Alazon: Irony in “The Library of Babel” and “Pierre Menard” Borges made a habit of differing from himself. “El otro” and “Borges y yo” are only the most overt examples from a corpus that constantly played with his biography, his beliefs, and his proper name. In his “non-fiction,” this Auseinselbstsetzung takes the form of self-contradiction, asserting opposed theses in his own name, celebrating romantico-mystical union with the absolute together with the difference-from-self that makes it impossible. In his fiction, this disseminative impulse takes the form of irony. No difference could be more radical—in the ironic text, not only is every word compromised or crossed-out, but the absent center (what we blithely call the narrator or author) from which the narrative seems to issue is also split. Nor is Borges’s irony the relatively simple sort of satire that lampoons a naïve view in order to place itself and the canny reader among the enlightened few. He straddled this divide as well, identifying himself with both poles of the ironic text, as though the ignorance he mocked was nonetheless, ineluctably, his own. This even comes across in the relentless humility of his interviews, where he constantly expresses feeling both inferior next to and less vain than— Borges. The temptation, perhaps the necessity, of avoiding or effacing these self-contradictions is manifest in the most prevalent readings of Borges. The ideas considered most characteristic of his style, such as the combinatoric exhaustibility of language from “The Library of Babel” or the context-dependence of meaning from “Pierre Menard: Author of the Quixote” are precisely the ideas he relentlessly ironized in those very stories. It is hard to say whether Borges would be disappointed or satisfied to see that his narrators were taken literally. After all, one must always ask—which Borges? 1