© The Society for Ming Studies 2010 DOI 10.1179/175975911X12962148497417
ming studies, No. 62, November, 2010, 1–24
Performing Matteo Ricci:
The Map and the Music
Ann Waltner and Qin Fang
University of Minnesota, USA
Linda Pearse
Indiana University, USA
¡Sacabuche!, an early European music ensemble at Indiana University, under
the direction of Linda Pearse, together with Huang Ruo, Ann Waltner, and
Qin Fang, designed a multi-media program focusing on the sixteenth-
century Italian Jesuit Matteo Ricci, taking as the focal point Ricci’s 1602
map, which we call “Matteo Ricci: His Map and Music.” We used music,
images, and text to create a layered performance, which we premiered in
Beijing in December of 2010. This article describes the program and the
logic behind some of the artistic decisions we made.
keywords Matteo Ricci, Palestrina, Gabrieli, guzheng, sheng, ¡Sacabuche!,
Huang Ruo
An Italian Jesuit makes a map of the world (including the Americas) in Beijing in 1602,
in Chinese. Thousands of copies are printed. In 1608 the emperor asks for a copy of the
map; new blocks are carved and copies are printed on silk for the emperor. None of the
silk copies survive, and only six of the paper copies do. One of the paper copies has
recently been acquired by the James Ford Bell Trust for the library at the University of
Minnesota. This map prompted this collaboration.
Matteo Ricci (1552–1610), the author of the map, was a member of the first Jesuit
mission to China. Ricci was a mathematician and a cartographer. He used his scientific
skills to appeal to Chinese literati, hoping to lead them to an interest in Christianity.
He acquired a high degree of literacy in Chinese; he wrote a number of works in
Chinese in addition to the map.
Huang Ruo’s “Fisherman’s Sonnet,” which opens this performance, pays homage to
kun opera, which was popular in south China at the time Ricci was there. As a
contemporary piece with resonances with the past, it alerts the listener to the fact that
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