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SCIENTIFIC CULTURE, Vol. 6, No. 2, (2020), pp. 65-72
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Copyright: © 2020. This is an open-access article distributed under the terms of the Creative Commons Attribution License.
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DOI: 10.5281/zenodo.3785044
PIGMENT IDENTIFICATION OF TWO POST-BYZANTINE
ICONS OF THEODOROS POULAKIS BY PXRF
AND RAMAN SPECTROSCOPY: CASE STUDY
Christopoulou, E., Laskaris, N.* and Ganetsos, T.
Department of Industrial Design and Production Engineering,
University of West Attica, Egaleo, Athens, Greece
Received: 15/11/2019
Accepted: 22/02/2020 Corresponding author: Nikolaos Laskaris (n.laskaris@uniwa.gr)
ABSTRACT
Since the late 12th century the Ionian Islands had passed gradually from Byzantine rule to the sphere of in-
fluence of Venice. During this long-lasting period, the Ionian Islands became a crossroad of art influenced by
both the Eastern and Western styles of religious painting. Additionally, the special characteristics of the
“Cretan School” of religious painting had already shaped in 16th c. and under the influence of Venice‟s art
transformed into the „Creto-Venetial style”. As a result, painters of Greek-Orthodox religious painting
worked either in the maniera greca, maniera italiana or in a combination of both styles. Several painters of
Cretan Origin travelled from Crete up to Venice and through the Ionian Islands for working (e.g. Theodoros
Poulakis, Emmanuel Tzanes) or permanent residency (e.g. Stephanos Tzankarolas, Leon Moskos).
This study is focused on two icons of painter Theodoros Poulakis (mid 17th c), kept at the ecclesiastical mu-
seum of Kefalonia. Non-destructive analyses with pXRF and portable Raman were carried out in order to
identify the pigments used by the artist and therefore to reconstruct his colour pallet. Vermilion and Red
Lead for the orange and red colours, lead for white, natural Azurite for blue and nature Malachite for Green
are reported.
KEYWORDS: XRF spectroscopy, Raman Spectroscopy, Theodoros Poulakis, Creto - Heptanisian School,
post-byzantine period