AVANCA | CINEMA 2017
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communication, the voice-over and the subtitles. As
a fan of Kon Ichikawa and Yasunari Kawabata, and
a lover of Michio Takeyama’s novel Harp of Burma,
he tries to express that complexity in a series of
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and, especially, textual manipulations while questioning
the power structure of image quality. Mixing his banal
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questions on nature, origin, language, non-existence,
identity, visual media and dominant cultures. He strives
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retranslating what is translated and letting others
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Everything becomes useless when one transcends
boundaries inside the mind.
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Do not ask me where I am from.
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My home town is in a distant place.
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Why roam about
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to roam to distant lands
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to roam?
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For the bird that soars in the sky.
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mountains
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For the spacious meadows
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[I] roam distant lands
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[I@ roam.
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[…@ it was only because there’s no image
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the world itself.
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Shinoyama Kishin and Nakahira Takuma, 1977
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translationin “complex characters” by Yaji Huang,
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whilelooking at the original text in Japanese
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