Journal of World Philosophies Articles/1
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Journal of World Philosophies 5 (Summer 2020): 1-29
Copyright © 2020 Sonam Kachru.
e-ISSN: 2474-1795 • http://scholarworks.iu.edu/iupjournals/index.php/jwp • doi: 10.2979/jourworlphil.5.1.01
As if a Stage: Towards an Ecological
Concept of Thought in Indian Buddhist Philosophy
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SONAM KACHRU
University of Virginia, USA (sk3hp@virginia.edu)
The interest of this essay is meta-philosophical: I seek to reconstruct neglected concepts of thought available to
us given the diverse use South Asian Buddhist philosophers have made of the term-of-art vikalpa. In
contemporary Anglophone engagements with Buddhist philosophy, it has come to mean either the
categorization and reidentification of particulars in terms of the construction of equivalence classes and/or the
representation of extra-mental causes of content. While this does track much that is important in the history
of Buddhist philosophy, it is overly restrictive. Based on three examples, this essay reconstructs other concepts
of vikalpa available before, during, and after Digṅāga’s epochal reformulation of Buddhist epistemology. The
first example takes us away from the familiar context of content introduction in perceptual experience to
consider Ratnakīrti’s way of treating cases where one exits from concept-involving modes of engaging content.
The second takes up with Vasubandhu and Sthiramati the case of the contents of background (and non-
episodic) awareness. The third and final case builds on the last concern, taking up a discussion of possible
worlds in the Laṅkāvatārasūtra. This last was intended to address the relationship of thought to language.
Moving beyond narrowly epistemological concerns allows a more expansive sense of vikalpa to come into view.
Doing so, in turn, allows one to see that vikalpa need not indicate only occurrent representations, but also the
structured systems of possible discriminations which some Buddhists took to serve as the background for all
possible perception, thought, and action. The existence of such a background changes the salience and the value
of distinctions drawn between conceptual and non-conceptual contents and experiences.
Key words: concept; vikalpa; non-conceptuality; thought; Yogācāra; Buddhism;
intentionality; imagination; ecological; perception; mind; possible worlds
Like the lead actor, thought
acts and dances its role;
The reflexive mind
is like the comic relief.
Mental awareness, along with
the five varieties of sensory awareness,
constructs the visible world,
as if a stage.
1
Laṅkāvatāra Sūtra 6.4
1 Introduction
The interest of this essay is meta-philosophical: I seek to reconstruct neglected concepts of thought
available to us given the diverse use South Asian Buddhist philosophers have made of the term-of-
art vikalpa. In the last decade or so, this term has typically been engaged with by Anglophone