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Chapter 29
DOI: 10.4018/978-1-7998-3511-0.ch029
ABSTRACT
With the emergence of digital media, prosumers are providing a new direction of flm funding. Enthusiastic
cine-goers are ready to invest in scripts that they believe in by identifying alternative fnancial resources.
Crowdfunding has recently emerged as a funding option for all the creative-cultural industries in general.
Although the Indian market is still a novice, the creative explorers are ready to take on the chances to
vent their artistic expressions. Therefore it is essential to understand what drives people to either create
or fund these projects. In this context, this chapter aims to study the basic premise of crowdfunding in
Indian flms and analyse the concept of prosumers.
INTRODUCTION
Present-day, Indian cinema has been through the two most important changes that have changed the
perception worldwide. One is the thematic change. It is varied from the simple happy family story to
experimental, bold and innovative, completely out of the box. There is no dearth of themes for the pro-
ducers with gradual blurring of commercial and parallel cinema. The other is technological change. The
digital media especially the social media have played an instrumental role in the emergence of a new
Bollywood in terms of revenue generation, promotions, distribution, online viewership, embarking in
themes that are bold and experimental, and even capital investment.
The emergence of prosumers- A new set of consumers has emerged with entrepreneurial capabilities
and who are ready to invest in films. They are the prosumers. Given by Alvin Toffler (1984) in his book
The third wave where he argued that with the advent of the industrial age the number of pure consumers
will gradually decline giving rise to prosumers –who will produce their goods and services. However,
Harnessing the “Crowd”
and the Rise of “Prosumers”
in Filmmaking in India
Mou Mukherjee Das
https://orcid.org/0000-0003-0730-9273
Future Media School, India