A Companion to African Literatures, First Edition. Edited by Olakunle George.
© 2021 John Wiley & Sons Ltd. Published 2021 by John Wiley & Sons Ltd.
African literature’s relationship to the European canon is both specific and representative: specific
in its manifestation in and as key texts within African literary studies, and representative of
larger shifts in possibility for imagining Africa’s relation to “the West.” For better or worse,
African literature’s constitution around, against, or to the omission of Europe as historical reality
and ideological specter is about much more than books; it is also the story of a field’s taking
shape around a fraught set of political entanglements. For this reason, the wildly heterodox
corpus we call “African writing” has often served as a barometer for the state of cross‐cultural
relationality, writ large in colonialism’s aftermath. This chapter thus begins with an overview of
the dominant models by which African literature – as a body of texts brought together by critical
practice – has engaged with Europe’s legacy on the continent. Though the narrative is necessarily
partial, it should suffice to ground an argument as to how African literary studies might best
configure itself looking forward. To this end, I then turn back to what is arguably the first
English‐language novel by an African writer: the Ghanaian J. E. Casely Hayford’s Ethiopia
Unbound (1911). Hayford’s book, I suggest, offers a template for African literature’s restructuring
vis‐à‐vis Europe based on truly (even naïvely) lateral principles.
Background
Chinua Achebe is an obvious place to begin, not because he is indeed the “father of African
literature” as has often been suggested, but because the discourse surrounding this controversial
appellation in many ways anchors the field in the decades that follow. The publication of Achebe’s
classic Things Fall Apart in 1958 – the first in a trilogy of novels that also includes No Longer At
Ease (1960) and Arrow of God (1964) – coincides with a wave of African independence move-
ments beginning with Ghana’s declaration of autonomy from Britain in 1957. By focusing on
the story of an Igbo village leader named Okonkwo in the late nineteenth century, Achebe
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African Literature and the European
Canon: From Past to Present
and Back Again
Jeanne‐Marie Jackson
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UNCORRECTED PROOFS