395 TEKA KOMISJI URBANISTYKI I ARCHITEKTURY PAN ODDZIAŁ W KRAKOWIE URBANITY AND ARCHITECTURE FILES TOM XLVI (2018) PL eISSN 2450-0038 s. 395–417 PL ISSN 0079-3450 MARTIN VAN DEN TOORN PhD, University Professor Honoris Causa Delf University of Technology, Holland e-mail: mwmvandent@gmail.com ALBERT FEKETE PhD, Associate Professor Faculty of Landscape Architecture and Urbanism Szent István University, Budapest e-mail: Fekete.Albert@tajk.szie.hu COMPOSITION AND DESIGN IN LANDSCAPE ARCHITECTURE CONCEPT, HISTORY AND PRACTICE; A FIRST SURVEY KOMPOZYCJA I PROJEKTOWANIE W ARCHITEKTURZE KRAJOBRAZU KONCEPCJA, HISTORIA I PRAKTYKA; PIERWSZE BADANIA ABSTRACT ‘Composing’ and ‘composition’ are key terms in the announcement and subject of the conference. In this paper we want to investigate and analyse some backgrounds of the terms ‘composition’ and ‘design’ in landscape architecture. The two terms are related but not the same. ‘Composition’ refers to a static phe- nomenon; composing is the active form. ‘Design’ can be used both as active form – the act of designing – while it can also be used as a passive phenomenon; the noun ‘design’ stands for a plan. ‘Composition’ is an older term, already used in the classical architectural treatises such as by Alberti. Both terms stand for the core of what landscape architects do, making plans for realising future environments for people. We will start by giving a short overview of terms and definitions as used in references and set out the scope of the paper. We will continue with a short historical overview of the term ‘composition’ from the first architec- tural treatises on. Around the end of the 19th century and the beginning of the 20th, the term ‘design’ starts to emerge. Its introduction and rise is closely related to the setting up of architectural schools where the materi- alising of projects and the design backgrounds are separately treated in design studios. In the second part we will give a short historical outline of the development of landscape architecture over time with special attention to the turn of the last century when the first landscape architecture schools and programs started to emerge. In the last part we will develop a typological overview of the relation between composition and design, illus- trated by realised projects. In the conclusion we will summarise the relation between structure, composition and design in contemporary practice; and put forward that composition in landscape architecture is ‘designed structure’. In this way the terms composition and design can be related and distinguished both in theory and practice. Key words: theory & practice, terminology, structure, design knowledge STRESZCZENIE “Komponowanie” i kompozycja” to kluczowe zwroty w komunikatach i programach konferencji. W artykule chcemy zbadać i przeanalizować pewne tło terminów „kompozycja” i „projektowanie” w architekturze kra- jobrazu. Oba te zwroty są ze sobą powiązane, jednak nie oznaczają tego samego. „Kompozycja” odnosi się do zjawisk statycznych, komponowanie jest czynnością aktywną. „Projektowanie” może być użyte zarówno, jako forma aktywna – akt projektowania – jednak może oznaczać także zjawisko pasywne; rzeczownik „pro- jekt” oznacza rysunek. „Komponowanie jest starszym terminem, używanym już w klasycznych traktatach