JOANNA PRZYBYLSKA
The Poznan University of Economics
REFORM OF ARTS AND CULTURE’S
FINANCING SYSTEM IN GREAT BRITAIN
Abstract
After the World War Il we can observe that arts and culture in Great Britain is
blooming. One of the factors that has a strong influence to this fact is the Brit-
ish arts and culture’s financing system. The Arts Council of England (ACE)
with Regional Arts Boards (RABs), working together with a private sector and
arts community, are consider to be amodel worth copying. The advantages of
present system that are the most frequent highlighted areits flexibility and the
autonomy of its institutions (ACE and RABs). Nevertheless, in March 2001
ACE has presented the proposal far changing the system which exist nowa-
days. ACE believes that proposed reform would assure better relationship
with the arts community based on greater simplicity and quicker delivery, and
also considerably strengthened relationship with local government, regional
government and other regional structures. It is also believed that these
changes would decrease administrative costs and let distribute these savings
to the arts with emphasis on cultural diversity and on the individual artists.
In this article I would like to describe the current system ofsupport for the arts
and culture in Great Britain. Then I will characterize main precursors and aims of
the ACE’s proposed reform. Andfinally I will present some responses of aris com-
munity to these proposals.
Characteristics of present arts and culture’s
financing system in Great Britain
In Great Britain a legal person, who is responsible for the arts’ organisa-
tion and support system is the Minister of Arts. It must be point out that there is no
the Ministry of Arts in this country but only the Minister of Arts and Secretary
of State for Arts (for Scotland, Wales and North Ireland) are appointed'.
'M. Chelmitska, Warunki rezwoju kultury na szczeblu lokalnym. Europejskie modele
rozwiqzan systemowych a sytuacja w Polsce, Instytut Kultury, Warszawa 1993, p. 60.