Narrative Features of the Book of Revelation
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Subscriber: OUP-Reference Gratis Access; date: 30 December 2020
Print Publication Date: Sep 2020 Subject: Religion, Christianity, Literary and Textual Studies
Online Publication Date: Oct 2020 DOI: 10.1093/oxfordhb/9780190655433.013.2
Narrative Features of the Book of Revelation
James L. Resseguie
The Oxford Handbook of the Book of Revelation
Edited by Craig R. Koester
Abstract and Keywords
Four narrative features of the book of Revelation are the focus of this article: masterplot,
characters and characterization, architectural and topographical settings, and numerical
symbolism. Masterplots are skeletal stories belonging to cultures and individuals that
clarify questions of identity, values, or the understanding of life. The masterplot of Revela
tion is a quest story of the people of God in search of the new promised land, the new
Jerusalem. Characters either aid or hinder the questers’ sojourn. Hybrid characters,
which blend character traits from the world below with characteristics of this world, or
combine the human with the inhuman, underscore the dangers the exodus-people, the fol
lowers of the Lamb, encounter on their trek. Other characters—such as the angel of Rev
10—advance their quest with a MacGuffin. Architectural and topographical settings—
such as Babylon, the new Jerusalem, the desert, and the sea—amplify peril and solace on
the journey. Symbolic numbers are road signs that warn the exodus-people of dangers or
proffer divine succor and protection.
Keywords: narrative analysis, masterplot, quest story, new exodus, hybrid characters, numerical symbolism, Baby
lon, new Jerusalem, MacGuffin, Tower of Babel
A narrative analysis of the book of Revelation focuses on how the narrative constructs its
meaning and the way diverse narrative features—such as masterplot, character, setting,
and rhetoric—coalesce to form an indivisible whole. Some of the questions that amplify
the literariness of Revelation are as follows: How does the older biblical masterplot of a
people being enslaved in Egypt, pursued by a bloodthirsty pharaoh, wandering in the
wilderness, and journeying to the new promised land, clarify Revelation’s plot? In what
ways do John’s bizarre hybrid characters that merge traits from the world below and from
this world, or the human with the inhuman, intensify plot conflicts and complicate the
quest for the new Jerusalem? How do the fierce landscapes of desert and sea accent peril
and solace on the journey to the new Jerusalem? In what ways is Babylon the archetypal
city of oppression and captivity that the exodus-people—the followers of the Lamb—must
flee to realize their quest for the new promised land? And how do symbolic threes, three-
and-a-halves, sixes, sevens, and twelves serve as signs of solace and peril for the exodus-