The Limits of Modernist Art as a 'Weapon of the Cold War': Reassessing the Unknown Patron of the Monument to the Unknown Political Prisoner Author(s): Robert Burstow Source: Oxford Art Journal , 1997, Vol. 20, No. 1 (1997), pp. 68-80 Published by: Oxford University Press Stable URL: http://www.jstor.com/stable/1360716 REFERENCES Linked references are available on JSTOR for this article: http://www.jstor.com/stable/1360716?seq=1&cid=pdf- reference#references_tab_contents You may need to log in to JSTOR to access the linked references. JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact support@jstor.org. Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at https://about.jstor.org/terms Oxford University Press is collaborating with JSTOR to digitize, preserve and extend access to Oxford Art Journal This content downloaded from 195.194.178.32 on Mon, 25 Jan 2021 19:53:50 UTC All use subject to https://about.jstor.org/terms