Chapter 13
Blind Culture and Cosmologies
Notes from Ved Mehta’s Continent of India
Hemachandran Karah
I squatted down on the narrow ledge between the streams and put a
hand in each stream. The right stream felt glacial, and I could scarcely
keep my hand in it. The left stream was thick and soupy, and felt almost
tepid. I remember thinking that, in their way, the two streams were as
different as Daddyji and Mamaji (Mehta 1984, 128).
INTRODUCTION
Ved Mehta (1934-) is a blind autobiographer and essayist. His autobio-
graphical compendium, 11 books altogether, is known collectively by
the series title Continents of Exile. Due to an idiosyncratic twist, Mehta’s
Continents signify much more than a mere geographical category. For
example, consider this list: India, America, Britain, psychoanalysis, The
New Yorker and blind culture. These are Mehta’s autobiographical nar-
rative domains and are fondly called by him as ‘Continents’. As narra-
tive clusters, Continents boast a rare capacity to host autobiographical
recollections, standpoints, political commentaries and raw imprints of
personhood. Naturally, they command a wherewithal to upholster a
fuller critique of a knowledge system such as blindness. Now, one may
believe that all the upholstering takes place within the Continent of
Ghai, A. (Ed.). (2018). Disability in south asia : Knowledge and experience. ProQuest Ebook Central <a
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