Akhenaten and the Strange Physiques of Egypt’s 18th Dynasty
Irwin M. Braverman, MD; Donald B. Redford, PhD; and Philip A. Mackowiak, MD, MBA
Akhenaten was one of Egypt’s most controversial pharaohs, in part
because of his strange appearance in images produced after he had
declared Aten, the Sun-disc, his one-and-only god. Whether these
were symbolic representations or realistic ones that indicate a de-
forming genetic disorder is the subject of continuing debate. The
authors present evidence that the bizarre physical features por-
trayed in these images are not only realistic but were shared by
many members of Egypt’s 18th Dynasty. The features are best
explained by either 2 different familial disorders—the aromatase
excess syndrome and the sagittal craniosynostosis syndrome— or a
variant of the Antley–Bixler syndrome caused by a novel mutation
in one of the genes controlling the P450 enzymes, which regulate
steroidogenesis and cranial bone formation.
Ann Intern Med. 2009;150:556-560. www.annals.org
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W
hen Akhenaten, also known as Amenophis IV, as-
cended Egypt’s Horus Throne of the Living in 1377
BCE, he was ill-prepared to rule the most powerful empire
on earth. He had previously been excluded from court
functions, possibly because of his strange physique. Al-
though some speculate that excessive inbreeding caused his
deformities, others point out that he was the product of a
gene pool that had not been corrupted by close intermar-
riage for at least 2 generations (1).
ACASE SUMMARY
The distinctive physical features of Akhenaten de-
picted in statues and reliefs are at once odd, strikingly
diverse, and inconsistent. Likenesses produced at the be-
ginning of his reign depict him in traditional pharaonic
guise, with a relatively normal face and physique. How-
ever, after he created his radical new religion that focused
on Aten (the Sun-disc) and became history’s first mono-
theist, his images became floridly androgynous, with an
elongated head, almond-shaped eyes, lantern-like jaw, pro-
truding teeth, and large ears (Figure 1). Some representa-
tions show similar distortions of the head, body, and ex-
tremities in Akhenaten’s children and his principal wife,
Nefertiti (Figure 2).
Only a bit more is known of the health of Akhenaten
or of his family. He had 6 children by Nefertiti; all were
daughters. Many members of his family died during a
plague that ravaged his kingdom. Akhenaten survived the
plague only to die in the summer of 1359 BCE under ob-
scure circumstances (1).
THE HERETIC PHARAOH
Amenophis was born in ancient Egypt’s royal city of
Memphis in approximately 1385 BCE. His father, Ameno-
phis III, ruled an empire stretching nearly 2000 miles from
the central Sudan to the mountains of Anatolia. An elder
brother, named Thutmose after his grandfather, stood in
line to inherit the throne but died suddenly in the third
decade of his father’s reign, leaving Prince Amenophis the
heir apparent.
As a youth, Prince Amenophis was assigned undistin-
guished tutors. When his father became ill, the ailing king
moved his court south to the more salubrious climate of
Thebes, where the prince seems to have been hidden from
public view until becoming Pharaoh.
Amenophis III died in his 38th year on the throne
(around 1377 BCE) and was immediately succeeded by
Prince Amenophis (now Amenophis IV). At first, little
changed. The new king continued to reside at Thebes in
his father’s palace and, shortly after his accession, married a
strikingly beautiful woman named Nefertiti. Some believe
she was a distant relative. In the first or second year of their
marriage, she bore a daughter, Meret-aten.
Sometime during the new king’s second year on the
throne, he experienced a revelation regarding the gods;
their temples; their cult images; and the sacred, prescriptive
literature. This new insight induced him to decree all the
gods of the Egyptian pantheon nonexistent except one, the
solar deity. Pursuant to this revelation, he forbade the de-
piction of any god or goddess except the falcon-headed
human figure bearing a large sun-disc on its head. He then
had the great house of the Sun-disc at Karnak transformed
into a new, open-air temple, wholly devoid of cultic appa-
ratus except for the large altar on which offerings to the
sun could be made. He diverted the incomes of the other
temples to the new establishment, which caused all other
shrines to close their doors. In decorating his new struc-
tures, the king commissioned a new artistic style which
depicted him in a greatly distorted form as something akin
to a “humanoid praying mantis” (1), with all of the bizarre
and effeminate features we have enumerated.
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