https://doi.org/10.1177/0963947019865450
Language and Literature
1–20
© The Author(s) 2019
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DOI: 10.1177/0963947019865450
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Metaphorical patterns
in Anthropocene fiction
Marco Caracciolo , Andrei Ionescu
and Ruben Fransoo
Ghent University, Belgium
Abstract
This article explores metaphorical language in the strand of contemporary fiction that
Trexler discusses under the heading of ‘Anthropocene fiction’ – namely, novels that probe
the convergence of human experience and geological or climatological processes in times of
climate change. Why focus on metaphor? Because, as cognitive linguists working in the wake
of Lakoff and Johnson have shown, metaphor plays a key role in closing the gap between
everyday, embodied experience and more intangible or abstract realities – including, we
suggest, the more-than-human temporal and spatial scales that come to the fore with the
Anthropocene. In literary narrative, metaphorical language is typically organized in coherent
clusters that amplify the effects of individual metaphors. Based on this assumption, we discuss
the results of a systematic coding of metaphorical language in three Anthropocene novels
by Margaret Atwood, Jeanette Winterson, and Ian McEwan. We show that the emergent
metaphorical patterns enrich and complicate the novels’ staging of the Anthropocene, and
that they can destabilize the strict separation between human experience and nonhuman
realities.
Keywords
Narrative, contemporary fiction, ecocriticism, stylistics, nature, Anthropocene
1. Introduction
In a World Wildlife Fund campaign for climate change created by Belgian design
studio BBDO, we see the familiar image of a wafer cone topped with melting ice
cream. However, the scoop of ice cream was digitally modified to look like the Earth,
Corresponding author:
Marco Caracciolo, Department of Literary Studies, Ghent University, Blandijnberg 2, Ghent 9000, Belgium.
Email: marco.caracciolo@ugent.be
865450LAL 0 0 10.1177/0963947019865450Language and LiteratureCaracciolo et al.
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