Television & New Media
2016, Vol. 17(6) 504–519
© The Author(s) 2016
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DOI: 10.1177/1527476416647495
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Article
Extended “Visiting Hours”:
Deconstructing Identity
in Netflix’s Promotional
Campaigns for Orange Is the
New Black
Lauren J. DeCarvalho
1
and Nicole B. Cox
2
Abstract
This article interrogates Netflix’s use of unconventional marketing strategies for season 2
of Orange Is the New Black (OITNB), and argues that the company takes a mixed approach
to cast a wider net for potential subscribers. One campaign emphasizes stereotypes
that the program itself problematizes, and another humanizes the images of real-life
incarcerated women. Using feminist textual analysis, we explore these campaigns in
relation to intersectionality and analyze the construction of intersectional identities within
Netflix’s two promotional campaigns: The New York Times’ paid promotional content
“Women Inmates: Why the Male Model Doesn’t Work” and the “Crazy Pyes” food truck
campaign. Applying theoretical work from scholars such as Lotz and Gray, we discuss the
ideological messaging of the campaigns, and examine how Netflix commodifies images of
OITNB’s incarcerated, female characters, and also images of actual incarcerated women—
and how these images function in exchange for viewership for Netflix and OITNB.
Keywords
feminist media studies, Orange Is the New Black, Netflix, marketing, intersectionality,
identity
Introduction
On June 12, 2014, New Yorkers stood in line for free dessert in the SoHo area of
Lower Manhattan. A food truck labeled “Crazy Pyes” spent the next three days making
1
University of Arkansas, Fayetteville, USA
2
Valdosta State University, GA, USA
Corresponding Author:
Lauren J. DeCarvalho, University of Arkansas, 417 Kimpel Hall, Fayetteville, AR 72701, USA.
Email: ljdecarv@uark.edu
647495TVN XX X 10.1177/1527476416647495Television & New MediaDeCarvalho and Cox
research-article 2016
at UNIV OF PENNSYLVANIA on November 27, 2016 tvn.sagepub.com Downloaded from