  7+(3$7+72:$5'662&,$/,675($/,60 $57+,6725,&$/',6&2856(,1520$1,$%(7:((1$1'   5R[DQD02'5($18   Abstract: In the scholarly journal of Romanian Academy, the process of legitimization of the Communist rule can be followed by analysing the scholarly texts it published. The most striking characteristic of the period between 1954 and 1964 is how Realism became the main characteristic of Romanian art. The new importance bestowed on Realism created a linear history of Romanian art, according to which, beginning with Modernity, art constantly evolved through different forms of Realism into Socialist Realism. This paper follows the narrative strategies used between 1954 and 1964 in the journal’s papers regarding this topic. Key words: art history, art historiography, Communism, George Oprescu, Realism, Gheorghe Gheorghiu-Dej, painting. Rezumat: Procesul legitimizării comunismului poate fi urmărit în revista Юtiinаifică a Academiei Române prin analiza textelor Юtiinаifice. O caracteristică surprinzătoare a textelor dintre 1954 Юi 1964 este modul în care realismul a devenit principala trăsătură a artei româneЮti. Noua importanаă acordată realismului a condus la construirea unei istorii liniare a artei româneЮti în care, de la începuturile modernităаii, arta a evoluat în diferite forme de realism până realismul socialist. Articolul analizează strategiile discursive dintre 1954 Юi 1964 din revista de istoria artei. Cuvinte cheie: istoria artei, istoriografie de artă, comunism, George Oprescu, realism, Gheorghe Gheorghiu-Dej, pictură.   7KH \HDU  EURXJKW D IXQGDPHQWDO UHJLPH FKDQJH LQ 5RPDQLD 0RQDUFK\ ZDV DEROLVKHG DQG D &RPPXQLVW UHJLPH UHSODFHG LW :KLOH WKH HQWLUH VRFLHW\ ZHQW WKURXJK DQ DPSOH SURFHVVRIVRFLDOFKDQJHWKHFXOWXUDOILHOGZDV VXEMHFWHGWRDQHTXDOO\DPSOHUHIRUPDWLRQ)RU DUW KLVWRU\ WKLV FKDQJH EURXJKW DORQJ WKH HVWDEOLVKPHQWRIWKH,QVWLWXWHRI$UW+LVWRU\LQ %XFKDUHVW LQ  XQGHU WKH DXVSLFHV RI WKH $FDGHP\RIWKH3RSXODU5HSXEOLFRI5RPDQLD 7KH ,QVWLWXWH VWDUWHG WR LVVXH D VFKRODUO\ MRXUQDOLQ,QLWVSDJHV*HRUJH2SUHVFXｱ WKH,QVWLWXWHｶVPDQDJHUDQGWKHPRVWLQIOXHQWLDO DUWKLVWRULDQIURPWKH%XFKDUHVWPLOLHXZKRVH FDUHHU EHJXQ LQ WKH ,QWHUZDU SHULRG ｱ DQG KLV FROOHDJXHVPDQ\RIWKHPKLVIRUPHUVWXGHQWV SXEOLVKHG WKHLU UHVHDUFK ZKLFK ZDV SDUW RI WKHLU ZRUNORDG DW WKH ,QVWLWXWH LQ VRPH FDVHV SUHFHGLQJWKHSXEOLVKLQJRIWKHLUERRNVRQWKH VDPH WRSLF 7KH MRXUQDO Studies and Researches in Art History ｱKHUHDIWHUQDPHG   6&,$ DIWHU LWV 5RPDQLDQ QDPH Studii Юi cercetări de istoria artei ｱ FDQ EH FRQVLGHUHG WKH PDLQ VRXUFH IRU DQ RIILFLDO DUW KLVWRULFDO GLVFRXUVHDVLWZDVLVVXHGXQGHUWKHDXWKRULW\ RIWKH$FDGHP\ 7KLV SDSHU IROORZV WKH PHWKRGV XVHG E\ 2SUHVFX DQG RWKHUV ZKR DXWKRUHG SDSHUV LQ WKLV MRXUQDO ｱ 5HPXV 1LFXOHVFX 7KHRGRU (QHVFX$PHOLD3DYHO.ULNRU+=DPEDFFLDQ 0DUFHO %UHD]X 5DGX %RJGDQ /HLOD 5XGD܈FX DQG RWKHUV ｱ ZKR DLPHG DW IDEULFDWLQJ D FUHGLEOH YLHZ RI D VWHDG\ SURJUHVV PDGH LQ 5RPDQLDQSDLQWLQJXQWLOLWUHDFKHGLWVSHDNLQ 6RFLDOLVW 5HDOLVP EHJLQQLQJ ZLWK WKH SURFHVV RIPRGHUQL]DWLRQRI5RPDQLDQSDLQWLQJZKLFK ZDV LQLWLDWHG GXULQJ WKH QLQHWHHQWK FHQWXU\ 7KHJURXSGLGQRWDFWPRQROLWKLFDOO\6RPHRI WKHDXWKRUVILUPO\EHOLHYHGLQWKHQHZOLIHWKH 3DUW\SURPLVHGZKLOHRWKHUVWULHGWRVWD\WUXH WR WKHLU IRUPHUO\ HVWDEOLVKHG EHOLHIV )RU WKLV UHDVRQ VRPH RI WKH SDSHUV VKRZ PRUH FRQIRUPLW\ ZKLOH RWKHUV VKRZ D JUHDWHU GHDO RI IOH[LELOLW\ 1HYHUWKHOHVV ZKLOH UHDGLQJ WKHP RQH FDQ VHQVH D FRPPXQDO HIIRUW WR Ύ8QLYHUVLW\RI$UWDQG'HVLJQLQ&OXM1DSRFD UR[DQDPRGUHDQX#XDGUR 583